All Outputs (15)

Substance, Subject, and Functional Metamorphosis: Theorising Collective Subjectivity in Ferdinand David’s Solo-Tutti Interaction (2024)
Presentation / Conference
Mitterer, D. (2024, July). Substance, Subject, and Functional Metamorphosis: Theorising Collective Subjectivity in Ferdinand David’s Solo-Tutti Interaction. Paper presented at Edinburgh Music Analysis Conference, Edinburgh

Speculation about the expressivity of the socio-political order in concertante works has persisted in the aftermath of the New Musicology (McClary 1986, Kerman 1999, and Tusa 2012), and in hermeneutic responses to the New Formenlehre (Caplin 2001, He... Read More about Substance, Subject, and Functional Metamorphosis: Theorising Collective Subjectivity in Ferdinand David’s Solo-Tutti Interaction.

"Einheit", "Freiheit", and Vormärz Aesthetics: Political ventures through formal strategies in Ferdinand David's Violin Concerti (2023)
Presentation / Conference
Mitterer, D. (2023, December). "Einheit", "Freiheit", and Vormärz Aesthetics: Political ventures through formal strategies in Ferdinand David's Violin Concerti. Paper presented at 2023 AMS Annual Meeting, Denver

The German Vormärz (1815–49) was a time of cultural reform that renegotiated the individual’s place in society through the interplay of aesthetics and politics (Garratt 2010). In this paper I ask how violin concerti from this period interrogate the p... Read More about "Einheit", "Freiheit", and Vormärz Aesthetics: Political ventures through formal strategies in Ferdinand David's Violin Concerti.

'Incomplete or Unified? Vormärz Violin Concerti and Techniques of Formal Compression, (In-)Completeness, and (Dis-)Unity' (2023)
Presentation / Conference
Mitterer, D. (2023, July). 'Incomplete or Unified? Vormärz Violin Concerti and Techniques of Formal Compression, (In-)Completeness, and (Dis-)Unity'. Paper presented at Society for Music Analysis Annual Conference (OxMAC23), Oxford University

Prevailing approaches towards theory of concerto form identify inter-movement transitions as an essential credential of Felix Mendelssohn’s musical identity in his concertante works (op. 25 [1831]; op. 40 [1837]; op. 64 [1844]). Indeed, Mendelssohn r... Read More about 'Incomplete or Unified? Vormärz Violin Concerti and Techniques of Formal Compression, (In-)Completeness, and (Dis-)Unity'.

"Virtuosity" and the Politics of Freedom: Joseph Joachim's Concerto, op. 11, "In Ungarischer Weise" in dialogue with Hegelian Philosophy (2022)
Presentation / Conference
Mitterer, D. (2022, September). "Virtuosity" and the Politics of Freedom: Joseph Joachim's Concerto, op. 11, "In Ungarischer Weise" in dialogue with Hegelian Philosophy. Paper presented at Royal Musical Association 58th Annual Conference Durham University

The reception of Hegel’s concept of ›virtuosity‹ gave rise to a discourse that is distinctive in 19th-Century Germany. Hegel construed the virtuoso as an autonomous and practically judging individual, who orientates freely within the world, which hol... Read More about "Virtuosity" and the Politics of Freedom: Joseph Joachim's Concerto, op. 11, "In Ungarischer Weise" in dialogue with Hegelian Philosophy.

Retuning Resistance: Pan Asianism and the Colonial Encounter in Japanese Imperial Ethnomusicology. (Roundtable: Rethinking the Colonial Encounter, organised by Kim Sauberlich and Parkorn Wangpaiboonkit) (2022)
Presentation / Conference
Walden, D. K. (2022, August). Retuning Resistance: Pan Asianism and the Colonial Encounter in Japanese Imperial Ethnomusicology. (Roundtable: Rethinking the Colonial Encounter, organised by Kim Sauberlich and Parkorn Wangpaiboonkit). Paper presented at IMS2022: 21st Quinqennial International Musicological Society Congress, Athens, Greece

Pitch Fundamentalism and the Invention of Tonal Space. (Special Session: Anti-Racist Music Theory, organised by Jade Conlee and Tatiana Koike) (2021)
Presentation / Conference
Walden, K. (2021, November). Pitch Fundamentalism and the Invention of Tonal Space. (Special Session: Anti-Racist Music Theory, organised by Jade Conlee and Tatiana Koike). Paper presented at Society of Music Theory, Online

A Historical, Practical and Computer-Based Approach to Reconstructing Vocal and Instrumental Polyphony from Lute Tablature (2019)
Presentation / Conference
Sequera, H. (2019, December). A Historical, Practical and Computer-Based Approach to Reconstructing Vocal and Instrumental Polyphony from Lute Tablature. Paper presented at Seminar Series, Royal Holloway University of London

The Enharmonium and Tanaka Shōhei [Junseichō-orugan to Tanaka Shōhei] (2018)
Presentation / Conference
Walden, D. K., & Tanaka, T. (2018, December). The Enharmonium and Tanaka Shōhei [Junseichō-orugan to Tanaka Shōhei]

A Music ‘Freed from Artificial Temperament': The Science and Politics Behind Tanaka Shōhei's Instruments (2017)
Presentation / Conference
Walden, D. K. (2017, December). A Music ‘Freed from Artificial Temperament': The Science and Politics Behind Tanaka Shōhei's Instruments. Paper presented at Studio31, Schola Cantorum, Basel

Decoding Tristan Perich’s Dual Synthesis (2016)
Presentation / Conference
Walden, D. K. (2016, December). Decoding Tristan Perich’s Dual Synthesis. Paper presented at Keyboard Networks, Cornell University

“Canto Bello”: Performance Practice of 15th and 16th Century Italian Secular Music (2016)
Presentation / Conference
Sequera, H. (2016, December). “Canto Bello”: Performance Practice of 15th and 16th Century Italian Secular Music. Paper presented at Seminar Lecture Series, Sheffield University - Music Department

Johann Paul von Westhoff's Six Suites for Violin Solo - Origin, Context, and Effect (2016)
Presentation / Conference
Mitterer, D. (2016, December). Johann Paul von Westhoff's Six Suites for Violin Solo - Origin, Context, and Effect. Paper presented at ICTM / SMI Postgraduate Conference, University College Dublin

Conference organisation (2013)
Presentation / Conference
Sequera, H. (2013, December). Conference organisation. Paper presented at John Dowland 450th Anniversary Conference, Cambridge

Chaired session. (2013)
Presentation / Conference
Sequera, H. (2013, December). Chaired session. Paper presented at Sources of Identity: Makers, Owners and Users of Music Sources Before 1600, Sheffield

Organised study day (2011)
Presentation / Conference
Sequera, H. (2011, December). Organised study day. Paper presented at Domestic Music in Recusant Circles in Elizabethan and Jacobean Times, Cambridge