K.S. Walden
Pitch Fundamentalism and the Invention of Tonal Space. (Special Session: Anti-Racist Music Theory, organised by Jade Conlee and Tatiana Koike)
Walden, K.S.
Authors
Citation
Walden, K. (2021, November). Pitch Fundamentalism and the Invention of Tonal Space. (Special Session: Anti-Racist Music Theory, organised by Jade Conlee and Tatiana Koike). Paper presented at Society of Music Theory, Online
| Presentation Conference Type | Conference Paper (unpublished) |
|---|---|
| Conference Name | Society of Music Theory |
| Conference Location | Online |
| Start Date | Nov 4, 2021 |
| End Date | Nov 7, 2021 |
| Deposit Date | Oct 20, 2021 |
| Public URL | https://durham-repository.worktribe.com/output/1138350 |
| Publisher URL | https://societymusictheory.org/meetings/smt-2021 |
You might also like
Stories of Tonality in the Age of François-Joseph Fétis
(2021)
Journal Article
The Palm of Priority: Indian-Italian Transnationalism and the Provincialization of European Music Theory
(2020)
Conference Proceeding
Downloadable Citations
About Durham Research Online (DRO)
Administrator e-mail: dro.admin@durham.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2024
Advanced Search