Time Never Regained: Film, Memory and History in Mila Turajlić’s Labudović Reels (2024)
Journal Article
Radunović, D. (2024). Time Never Regained: Film, Memory and History in Mila Turajlić’s Labudović Reels. Comparative Southeast European Studies, 72(2), 256-269. https://doi.org/10.1515/soeu-2024-0008

The article reviews the documentary film diptych The Labudović Reels by film-maker Mila Turajlić. Based on her archival work at the Filmske Novosti production company, Turajlić discovers the legacy of hitherto unknown cinematographer Stevan Labudović... Read More about Time Never Regained: Film, Memory and History in Mila Turajlić’s Labudović Reels.

Nativism, the Avant-garde, and the Aesthetics of Decolonisation in Nikoloz Shengelaia’s Eliso (2024)
Journal Article
Radunović, D. (2024). Nativism, the Avant-garde, and the Aesthetics of Decolonisation in Nikoloz Shengelaia’s Eliso. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 18, https://doi.org/10.17892/app.2024.00018.352

The paper evaluates the reappraisal of nineteenth-century imperial discourses about Georgia and the Caucasus at large in the early Soviet context. The dual figuration of the national idea in the nineteenth century is laid out in view of the colonial... Read More about Nativism, the Avant-garde, and the Aesthetics of Decolonisation in Nikoloz Shengelaia’s Eliso.