All Outputs (4)

Musica Prisca Caput: Vitruvian Music Theory and Enharmonicism in 16th-Century Italy (2014)
Conference Proceeding
Walden, D. K. (2014). Musica Prisca Caput: Vitruvian Music Theory and Enharmonicism in 16th-Century Italy.

Lecture Recital: ‘From Pietrobono to Bossinensis: Reassessing Frottola Performance Practice Through F-Pn Rés. Vmd. MS 27' (2014)
Conference Proceeding
Sequera, H. (2014). Lecture Recital: ‘From Pietrobono to Bossinensis: Reassessing Frottola Performance Practice Through F-Pn Rés. Vmd. MS 27'.

From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax's Riverrun (2014)
Conference Proceeding
Clarke, M., Dufeu, F., & Manning, P. (2014). From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax's Riverrun.

This paper presents an approach to studying Barry Truax’s Riverrun as it is being carried out within the TaCEM project (Technology and Creativity in Electroacoustic Music), a collaboration between the Universities of Huddersfield and Durham funded fo... Read More about From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax's Riverrun.

Modelling Emotions in Music: Advances in Conceptual, Contextual and Validity Issues (2014)
Conference Proceeding
Eerola, T., Dittmar, C., Fazekas, G., & Ewert, S. (2014). Modelling Emotions in Music: Advances in Conceptual, Contextual and Validity Issues. In Audio Engineering Society conference : 53rd AES International Conference : semantic audio, 27-29 January 2014, London, UK ; proceedings (S1-1)

Modelling emotion recognition and induction by music has garnered increased attention during the last years. The present work puts together observations of the issues that need attention in order to make advances in music emotion recognition. These a... Read More about Modelling Emotions in Music: Advances in Conceptual, Contextual and Validity Issues.