A Social Aesthetics of Imperfection: Spontaneity and Meaning in Pop on the Streets of China

Horlor, Samuel

doi:10.5040/9781350106086.0017

A Social Aesthetics of Imperfection: Spontaneity and Meaning in Pop on the Streets of China

Horlor, Samuel

Authors

Dr Samuel Horlor s.p.horlor@durham.ac.uk
Lecturer

Contributors

Andy Hamilton
Editor

Lara Pearson
Editor

Citation

Horlor, S. (2021). A Social Aesthetics of Imperfection: Spontaneity and Meaning in Pop on the Streets of China. In A. Hamilton, & L. Pearson (Eds.), The aesthetics of imperfection in music and the arts : spontaneity, flaws and the unfinished (73-85). Bloomsbury Academic. https://doi.org/10.5040/9781350106086.0017

Online Publication Date	Oct 1, 2020
Publication Date	2021
Deposit Date	Oct 3, 2020
Publicly Available Date	Apr 1, 2021
Pages	73-85
Book Title	The aesthetics of imperfection in music and the arts : spontaneity, flaws and the unfinished.
DOI	https://doi.org/10.5040/9781350106086.0017
Public URL	https://durham-repository.worktribe.com/output/1655855
Contract Date	Aug 9, 2019

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Copyright Statement
This is an Accepted Manuscript of a book chapter published by Bloomsbury Academic in The Aesthetics of Imperfection in Music and the Arts on 1 October 2020, available online: http://www.bloomsbury.com/9781350106055