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The Consistency and Inconsistency of Cultural Oppression: American Indian Dance Bans, 1900–1933.

Treglia, G.

Authors



Abstract

This article challenges the concept of a monolithic Bureau of Indian Affairs regarding assimilation policy and personnel by examining the rhetoric employed by policy makers to justify the Native American dance bans in the early twentieth century. It also examines the role of superintendents and agents in reinterpreting and implementing dance policy on reservations.

Citation

Treglia, G. (2013). The Consistency and Inconsistency of Cultural Oppression: American Indian Dance Bans, 1900–1933. The Western Historical Quarterly, 44(2), 145-166. https://doi.org/10.2307/westhistquar.44.2.0145

Journal Article Type Article
Online Publication Date May 1, 2013
Publication Date 2013-07
Deposit Date Sep 2, 2013
Journal Western Historical Quarterly
Print ISSN 0043-3810
Electronic ISSN 1939-8603
Publisher Oxford University Press
Peer Reviewed Peer Reviewed
Volume 44
Issue 2
Pages 145-166
DOI https://doi.org/10.2307/westhistquar.44.2.0145
Public URL https://durham-repository.worktribe.com/output/1479114