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Contextualising Counterfeits: Roman Coin Moulds in Britain and the Channel Islands

Hingley, Richard

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Abstract

This paper addresses the archaeological contexts of the clay moulds which were used to produce copies of Roman coins in third-century Britain. Research has focused primarily upon the technology and chronology of the use of moulds to produce copies of coins. The discarded remains of the used moulds are usually considered as 'waste' items derived from an industrial process. This paper focuses attention on the information for the archaeological contexts in which clay coin moulds were deposited. Using the best recorded finds, it builds upon earlier suggestions that disused moulds were regularly discarded in boundary locations (settlement boundaries, field boundaries, drainage features, shafts/wells, coastal locations and disused structures). It is proposed that the magical and ritual associations of production meant that the clay moulds derived from the copying operations, in addition to the coins that were produced, required careful handling.

Citation

Hingley, R. (2023). Contextualising Counterfeits: Roman Coin Moulds in Britain and the Channel Islands. Britannia: A Journal of Romano-British and Kindred Studies, 54, 189-225. https://doi.org/10.1017/S0068113X23000363

Journal Article Type Article
Acceptance Date Apr 18, 2023
Online Publication Date Nov 24, 2023
Publication Date 2023-11
Deposit Date Jun 19, 2023
Publicly Available Date Jun 19, 2023
Journal Britannia: A Journal of Romano-British and Kindred Studies
Print ISSN 0068-113X
Electronic ISSN 1753-5352
Publisher Cambridge University Press
Peer Reviewed Peer Reviewed
Volume 54
Pages 189-225
DOI https://doi.org/10.1017/S0068113X23000363
Public URL https://durham-repository.worktribe.com/output/1171325

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http://creativecommons.org/licenses/by-nc-sa/4.0/

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http://creativecommons.org/licenses/by-nc-sa/4.0/

Copyright Statement
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-ShareAlike licence (https://creativecommons.org/licenses/by-nc-sa/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the same Creative Commons licence is included and the original work is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use.







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