Richard Hingley richard.hingley@durham.ac.uk
Emeritus Professor
Hadrian’s Wall as Artscape
Hingley, Richard
Authors
Abstract
This paper draws upon the concept of “artscape”, a term adopted in studies of contemporary urban and borderland contexts. Nine artworks sited along Hadrian's Wall form the case studies. These interventions aim to challenge the traditional concept of Hadrian's Wall as a fixed and well-defined ancient monument set within an unchanging landscape. Many of the projects reflect, directly or indirectly, upon the ethics of contemporary bordering practices. The artworks may have succeeded, at least to a degree, in challenging people's understandings of the current significance of the Wall by encouraging local people and visitors to contemplate the constraining characteristics of modern borders and frontiers. However, the communication of Hadrian's Wall as “open to all” elides ethical issues and the paper explores the extent to which these artworks may have encouraged or provoked public responses.
Citation
Hingley, R. (2023). Hadrian’s Wall as Artscape. Journal of Borderlands Studies, 1-20. https://doi.org/10.1080/08865655.2023.2292117
Journal Article Type | Article |
---|---|
Acceptance Date | Nov 14, 2023 |
Online Publication Date | Dec 14, 2023 |
Publication Date | Dec 14, 2023 |
Deposit Date | Jan 23, 2024 |
Publicly Available Date | Jan 23, 2024 |
Journal | Journal of Borderlands Studies |
Print ISSN | 0886-5655 |
Electronic ISSN | 2159-1229 |
Publisher | Taylor and Francis Group |
Peer Reviewed | Peer Reviewed |
Pages | 1-20 |
DOI | https://doi.org/10.1080/08865655.2023.2292117 |
Keywords | Law; Political Science and International Relations; Sociology and Political Science; Geography, Planning and Development |
Public URL | https://durham-repository.worktribe.com/output/2162160 |
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Copyright Statement
© 2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properlycited. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent.
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