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Hans Keller: the making of an anti-critic. (2018)
Book Chapter
Zuk, P. (2018). Hans Keller: the making of an anti-critic. In J. Dibble, & J. Horton (Eds.), British Musical Criticism and Intellectual Thought, 1850-1950 (328-343). Boydell & Brewer

L'ami inconnu: Nataliya Esposito and Ivan Bunin (2018)
Book Chapter
Zuk, P. (2018). L'ami inconnu: Nataliya Esposito and Ivan Bunin. In L. Byrne-Bodley (Ed.), Music preferred : essays in musicology, cultural history and analysis in honour of Harry White (371-387). Hollitzer Verlag

Music as post-traumatic discourse: Nikolay Myaskovsky’s Sixth Symphony (2018)
Journal Article
Zuk, P. (2018). Music as post-traumatic discourse: Nikolay Myaskovsky’s Sixth Symphony. Arts and Humanities in Higher Education, 17(1), 104-118. https://doi.org/10.1177/1474022216684636

This essay explores ways in which musicologists might extend work undertaken by humanities scholars in the interdisciplinary field of trauma studies that has highlighted the centrality of traumatic experience to modernist creativity. It is focussed a... Read More about Music as post-traumatic discourse: Nikolay Myaskovsky’s Sixth Symphony.

Semanitka gorya v finale Shestoy sinfonii Nikolaya Myaskovskogo [The semantics of grief in Nikolay Myaskovsky's Sixth Symphony] (2016)
Book Chapter
Zuk, P. (2016). Semanitka gorya v finale Shestoy sinfonii Nikolaya Myaskovskogo [The semantics of grief in Nikolay Myaskovsky's Sixth Symphony]. In Y. Vlasova, K. Zenkin, & M. Karachevskaya (Eds.), Dvadtsatïy vek. Muzïka voynï i mira: Materialï mezhdunarodnoi nauchnoi konferentsii [The Twentieth Century. Music of War and Peace (231-238). Progress-Traditsiya

The ‘serial’ works of A.J. Potter. (2014)
Book Chapter
Zuk, P. (2014). The ‘serial’ works of A.J. Potter. In G. Cox, & J. Horton (Eds.), Irish Musical Analysis (202-222). Four Courts Press

Nikolay Myaskovsky and the ‘regimentation’ of Soviet composition : a reassessment (2014)
Journal Article
Zuk, P. (2014). Nikolay Myaskovsky and the ‘regimentation’ of Soviet composition : a reassessment. The Journal of Musicology, 31(3), 354-393. https://doi.org/10.1525/jm.2014.31.3.354

Western studies of musical life in the USSR have typically placed great emphasis on the constraints to which composers were subject and often appear to have accepted as axiomatic the notion that the styles of Soviet composition of the Stalinist era w... Read More about Nikolay Myaskovsky and the ‘regimentation’ of Soviet composition : a reassessment.

Romansy N. Myaskovskogo na slova Z. Gippius [Nikolay Myaskovsky's settings of Zinaida Hippius] (2013)
Book Chapter
Zuk, P. (2013). Romansy N. Myaskovskogo na slova Z. Gippius [Nikolay Myaskovsky's settings of Zinaida Hippius]. In N. Dertyaryova, & N. Braginskaya (Eds.), Sankt-Peterburgskaya konservatoriya v mirovom muzykal'nom prostranstve: kompozitorskiye, ispolnitel'skiye, nauchniye shkoly 1862-2012 (218-223). Izdatel'stvo politekhnicheskogo universiteta (Sankt-Peterburg)

Michele Esposito (2010)
Book
Dibble, J. (Ed.). (2010). Michele Esposito. Field Day

An informative and revealing account of the life and career of Michele Esposito, a figure of seminal importance in the history of Irish music of the late nineteenth and early twentieth centuries.

Seóirse Bodley (2010)
Book
Cox, G. (Ed.). (2010). Seóirse Bodley. Field Day Publications ; Keough-Naughton Institute for Irish Studies

Raymond Deane (2006)
Book
Zuk, P. (2006). Raymond Deane. Field Day Books