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All Outputs (973)

Parry as Historiographer (1999)
Book Chapter
Dibble, J. (1999). Parry as Historiographer. In B. Zon (Ed.), Nineteenth-Century British Music StudiesAldershot (37-51). Ashgate Publishing

The Composer in the Academy, 1850-1940 (1998)
Book Chapter
Dibble, J. (1998). The Composer in the Academy, 1850-1940. In C. Acton, & R. Pine (Eds.), To Talent Alone: The Royal Irish Academy of Music 1848-1998 (400-418). Gill and Macmillan

"You can't fuse yourself": Contemporary British-Asian music and the musical expression of identity (1998)
Journal Article
Clayton, M. (1998). "You can't fuse yourself": Contemporary British-Asian music and the musical expression of identity. East European Meetings in Ethnomusicology, 5, 73-87

In 1995-97 British popular music saw an increase in the visibility of musicians of South Asian descent and in the audibility of musical elements which originate in or evoke South Asia. Some British-Asian musicians have drawn on elements of South Asia... Read More about "You can't fuse yourself": Contemporary British-Asian music and the musical expression of identity.

Music Studies and Cultural Difference: Conference Proceedings (1997)
Presentation / Conference Contribution
(1997, July). Music Studies and Cultural Difference: Conference Proceedings. Presented at Music Studies and Cultural Difference, London

Music Studies and Cultural Difference was the theme of an interdisciplinary conference organised by the Musics and Cultures Research Group of the Open University, and held in London on 2 July 1997.

Artworks: The Raj 50 Years On (1997)
Digital Artefact
Clayton, M., & Sawhney, N. E. A. (1997). Artworks: The Raj 50 Years On. [[Media unknown]]

Le metre et le tal dans la musique de l'Inde du Nord. (translated by Georges Goormaghtigh) (1997)
Journal Article
Clayton, M. (1997). Le metre et le tal dans la musique de l'Inde du Nord. (translated by Georges Goormaghtigh). Cahiers de musiques traditionnelles (Imprimé), 10, 169-189. https://doi.org/10.2307/40240271

Cet article traite de la relation entre le concept de tāl dans la musique hindoustānī de l'Inde du Nord et celui de mètre dans la musique occidentale et en ethnomusicologie en établissant des rapprochements entre différentes branches de la recherche... Read More about Le metre et le tal dans la musique de l'Inde du Nord. (translated by Georges Goormaghtigh).

Free Rhythm: Ethnomusicology and the Study of Music Without Metre (1996)
Journal Article
Clayton, M. (1996). Free Rhythm: Ethnomusicology and the Study of Music Without Metre. Bulletin of the School of Oriental and African Studies, 59(2), 323-332. https://doi.org/10.1017/s0041977x00031608

Like many other rhythmic terms, ‘free rhythm’ is widely enough used to be recognized as part of the vocabulary of musicology, without ever having been convincingly studied or even denned. In general, this term and its various synonyms refer to music... Read More about Free Rhythm: Ethnomusicology and the Study of Music Without Metre.

Ethnographic Wax Cylinders at the British Library National Sound Archive: A Brief History and Description of the Collection (1996)
Journal Article
Clayton, M. (1996). Ethnographic Wax Cylinders at the British Library National Sound Archive: A Brief History and Description of the Collection. Ethnomusicology Forum, 5(1), 67-92. https://doi.org/10.1080/09681229608567248

The ethnographic wax cylinder collection held by the British Library National Sound Archive, totalling over 3,000 items, contains material of considerable musical and historical interest, much of which has been until now little known outside the Arch... Read More about Ethnographic Wax Cylinders at the British Library National Sound Archive: A Brief History and Description of the Collection.