Max Paddison m.h.paddison@durham.ac.uk
Emeritus Professor
‘Der Komponist als Kritischer Theoretiker - Brian Ferneyhoughs Ästhetik nach Adorno’.
Paddison, Max
Authors
Citation
Paddison, M. (1999). ‘Der Komponist als Kritischer Theoretiker - Brian Ferneyhoughs Ästhetik nach Adorno’
| Journal Article Type | Article |
|---|---|
| Publication Date | 1999-04 |
| Journal | Musik & Ästhetik. |
| Volume | 3 |
| Issue | 10 |
| Pages | 95-100 |
| Public URL | https://durham-repository.worktribe.com/output/1588767 |
You might also like
La postmodernidad y la supervivencia de la vanguardia
(2011)
Journal Article
Art and the Ideology of Nature: Sibelius, Hamsun, Adorno
(2011)
Book Chapter
Time, Tradition and Modernity in the Music of Ljubica Maric: A Bergsonian Interpretation.
(2010)
Presentation / Conference Contribution
Mimesis and the Aesthetics of Musical Expression
(2010)
Journal Article
Adorno and Exile: Some Thoughts on Displacement and What it Means to be German
(2010)
Book Chapter
Downloadable Citations
About Durham Research Online (DRO)
Administrator e-mail: dro.admin@durham.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2025
Advanced Search