All Outputs (35)

Musique contemporaine: perspectives theoriques et philosophiques. (2001)
Book
Deliege, I., & Paddison, M. (Eds.). (2001). Musique contemporaine: perspectives theoriques et philosophiques. Mardaga

'Postmodernisme et la survie de l'avant-garde'. (2001)
Book Chapter
Paddison, M. (2001). 'Postmodernisme et la survie de l'avant-garde'. In I. Deliege, & M. Paddison (Eds.), Musique contemporaine: perspectives theoriques et philosophiques (249-266). Mardaga

'Perspectives critiques sur la musique et les relations sociales: vers une theorie de la mediation'. (2001)
Book Chapter
Paddison, M. (2001). 'Perspectives critiques sur la musique et les relations sociales: vers une theorie de la mediation'. In I. Deliege, & M. Paddison (Eds.), Musique contemporaine: perspectives theoriques et philosophiques (293-301). Mardaga

'Immanent Critique or Musical Stocktaking? Adorno and the Problem of Musical Analysis' (2001)
Book Chapter
Paddison, M. (2001). 'Immanent Critique or Musical Stocktaking? Adorno and the Problem of Musical Analysis'. In N. Gibson, & A. Rubin (Eds.), Adorno : a critical reader (209-233). Blackwell

'T.W. Adorno', 'Frank Zappa', 'Lou Reed', 'The Velvet Underground', 'Expression after 1800'. (2000)
Book Chapter
Paddison, M. (2000). 'T.W. Adorno', 'Frank Zappa', 'Lou Reed', 'The Velvet Underground', 'Expression after 1800'. In S. Sadie, & J. Tyrrell (Eds.), The New Grove Dictionary of Music and Musicians. (New ed., online.). Macmillan

'The idea of an avant-garde in the context of postmodernity: some problems of definition in contemporary music'. (2000)
Presentation / Conference Contribution
Paddison, M. (2000, December). 'The idea of an avant-garde in the context of postmodernity: some problems of definition in contemporary music'. Presented at Contemporary Music: Theories and Philosophy, Brussels

‘Der Komponist als Kritischer Theoretiker - Brian Ferneyhoughs Ästhetik nach Adorno’. (1999)
Journal Article
Paddison, M. (1999). ‘Der Komponist als Kritischer Theoretiker - Brian Ferneyhoughs Ästhetik nach Adorno’

'The language-character of music: some motifs in Adorno' rev.ed. (1998)
Book Chapter
Paddison, M. (1998). 'The language-character of music: some motifs in Adorno' rev.ed. In R. Klein, & C. Mahnkopf (Eds.), Mit den Ohren denken: Adornos Philosophie der Musik (71-91). Suhrkamp

Adorno, Modernism and Mass Culture: Essays on Critical Theory and Music. (1996)
Book
Paddison, M. (1996). Adorno, Modernism and Mass Culture: Essays on Critical Theory and Music. (Rev. ed. 2004). Kahn & Averill

Adorno's Aesthetics of Music. (1993)
Book
Paddison, M. (1993). Adorno's Aesthetics of Music. (2nd ed.). Cambridge University Press

'Adorno'. (1992)
Book Chapter
Paddison, M. (1992). 'Adorno'. In S. Sadie (Ed.), The New Grove Dictionary of Opera. Macmillan

'The language-character of music: some motifs in Adorno'. (1991)
Journal Article
Paddison, M. (1991). 'The language-character of music: some motifs in Adorno'. Journal of the Royal Musical Association, 116(2), 267-279. https://doi.org/10.1093/jrma/116.2.267

'Adorno's Aesthetic Theory'. (1987)
Journal Article
Paddison, M. (1987). 'Adorno's Aesthetic Theory'. Music Analysis, 6(3), 355-377

'Introduction' and annotated translation of T.W. Adorno, 'On the problem of musical analysis'. (1982)
Journal Article
Paddison, M. (1982). 'Introduction' and annotated translation of T.W. Adorno, 'On the problem of musical analysis'. Music Analysis, 1(2), 169-187

'The critique criticised: Adorno and popular music'. (1982)
Journal Article
Paddison, M. (1982). 'The critique criticised: Adorno and popular music'. Popular Music, 2(Theory and Method.), 201-218. https://doi.org/10.1017/s026114300000129x