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Corpus Studies, Sonata Typology, and the Nineteenth-Century Violin Concerto: Viotti, Saint-Saëns, and the Challenge of Recapitulatory Compression

Horton, Julian; Smith, Peter H.

Corpus Studies, Sonata Typology, and the Nineteenth-Century Violin Concerto: Viotti, Saint-Saëns, and the Challenge of Recapitulatory Compression Thumbnail


Authors

Peter H. Smith



Abstract

A corpus study of first-movement form in the nineteenth-century violin concerto, encompassing works from Viotti to Elgar, addresses: the New Formenlehre’s lack of attention to the genre, the pitfalls of formal theory’s focus on canonical Austro-German repertoire; and the question of how concepts derived from late eighteenth-century practice need to adapt to nineteenth-century evolutions. In some geographic subcategories of the corpus, recapitulatory compression is as prevalent as the presumably normative tonic return of P and S. Composers explore multiple alternatives: bypassing recapitulation of either of these zones, merging them, or recapitulating neither in a truncated form that flows into the slow movement. These practices unsettle the tendency to treat the Mozartian type 5 form as a yardstick, reveal a heretofore unrecognized type 2 lineage originating in the eighteenth century and stretching across the nineteenth, and expose the shortcomings of over-reliance on canonical repertoire. Two case studies of Viotti and Saint-Saëns highlight related practices across the corpus’s long chronological span and counterbalance the corpus’s bird’s eye view with attention to the aesthetically compelling formal complexities revealed by close reading of individual compositions.

Citation

Horton, J., & Smith, P. H. (online). Corpus Studies, Sonata Typology, and the Nineteenth-Century Violin Concerto: Viotti, Saint-Saëns, and the Challenge of Recapitulatory Compression. Music Theory Spectrum, https://doi.org/10.1093/mts/mtae013

Journal Article Type Article
Acceptance Date Sep 29, 2024
Online Publication Date Jan 30, 2025
Deposit Date Oct 4, 2024
Publicly Available Date Feb 3, 2025
Journal Music Theory Spectrum
Print ISSN 0195-6167
Electronic ISSN 1533-8339
Publisher Oxford University Press
Peer Reviewed Peer Reviewed
DOI https://doi.org/10.1093/mts/mtae013
Public URL https://durham-repository.worktribe.com/output/2944695

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