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Chromatic Chords in Theory and Practice

Gotham, Mark

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Abstract

"Chromatic harmony" is seen as a fundamental part of (extended) tonal music in the Western classical tradition (c.1700–1900). It routinely features in core curricula. Yet even in this globalised and data-driven age, 1) there are significant gaps between how different national "schools" identify important chords and progressions, label them, and shape the corresponding curricula; 2) even many common terms lack robust definition; and 3) empirical evidence rarely features, even in in discussions about "typical", "representative" practice. This paper addresses those three considerations by: 1) comparing English- and German-speaking traditions as an example of this divergence; 2) proposing a framework for defining common terms where that is lacking; and 3) surveying the actual usage of these chromatic chord categories using a computational corpus study of human harmonic analyses.

Presentation Conference Type Conference Paper (Published)
Conference Name 24th International Society for Music Information Retrieval Conference
Start Date Nov 5, 2023
End Date Nov 9, 2023
Acceptance Date Jun 20, 2023
Online Publication Date Nov 4, 2023
Publication Date 2023
Deposit Date Dec 15, 2023
Publicly Available Date Dec 18, 2023
Pages 272-278
Book Title Proceedings of the 24th International Society for Music Information Retrieval Conference
ISBN 9781732729933
DOI https://doi.org/10.5281/zenodo.10265275
Public URL https://durham-repository.worktribe.com/output/2027455
Publisher URL https://ismir.net/conferences/ismir2023.html

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