J. Harding
Changing Our Way of Being Wrong: T. S. Eliot's Shakespeare
Harding, J.
Authors
Contributors
G. Cianci
Editor
C. Patey
Editor
Abstract
Persse McGarrigle, the questing young academic in David Lodge’s campus novel Small World (1984), seeks to impress the impressionable with a pretentious MA thesis on ‘The influence of T. S. Eliot on Shakespeare’. Had Persse been a more attentive student of Eliot, he’d have known that the author of the dictum ‘that the past should be altered by the present as much as the present is directed by the past’ anticipated his postmodern thunder by half a century (Eliot: 1951, p. 15). G. K. Hunter claimed, extravagantly, that Eliot ‘virtually invented the twentieth-century Shakespeare in a collection of asides’; a more judicious assessment of the evidence has been performed by Neil Corcoran’s recent study, which argues that Eliot is among the poets ‘manifestly responsible for making Shakespeare the first modern’ (Hunter: 1978, p. 299; Corcoran: 2010, p. 3). Yet the precise nature of Eliot’s modern Shakespeare remains elusive. In 1927, Eliot told the Shakespeare Association: ‘About anyone so great as Shakespeare, it is probable that we can never be right; and if we can never be right, it is better that we should from time to time change our way of being wrong’. According to Eliot, when changing our way of being wrong, ‘nothing is more effective in driving out error than a new error’ (Eliot: 1951, p. 126), recalling the merciless succession of power in Coriolanus: ‘One fire drives out...
Citation
Harding, J. (2014). Changing Our Way of Being Wrong: T. S. Eliot's Shakespeare. In G. Cianci, & C. Patey (Eds.), Will the modernist : Shakespeare and the European historical Avant-Gardes (39-57). Peter Lang. https://doi.org/10.3726/978-3-0353-0637-8
Online Publication Date | Aug 18, 2014 |
---|---|
Publication Date | Aug 18, 2014 |
Deposit Date | Jun 2, 2014 |
Publicly Available Date | Jan 25, 2017 |
Publisher | Peter Lang |
Pages | 39-57 |
Series Title | Cultural interactions : studies in the relationship between the arts |
Book Title | Will the modernist : Shakespeare and the European historical Avant-Gardes. |
ISBN | 9783034317634 |
DOI | https://doi.org/10.3726/978-3-0353-0637-8 |
Public URL | https://durham-repository.worktribe.com/output/1649135 |
Files
Accepted Book Chapter
(351 Kb)
PDF
Copyright Statement
This is an Accepted Manuscript that has been published in Will the Modernist: Shakespeare and the European Historical Avant-Gardes / edited by Giovanni Cianci and Caroline M. Patey in the series Cultural Interactions: Studies in the Relationship between the Arts. The original work can be found at: https://doi.org/10.3726/978-3-0353-0637-8. © Peter Lang AG, 2014. All rights reserved.
You might also like
'Going into Europe': Encounter Magazine, European Union and the British Establishment
(2023)
Journal Article
The Letters of T. S. Eliot, Volume 9: 1939-1941
(2022)
Journal Article
Cold Warriors
(2022)
Journal Article
Lionel Trilling's The Liberal Imagination
(2021)
Journal Article
T. S. Eliot: The Search for Happiness
(2020)
Digital Artefact
Downloadable Citations
About Durham Research Online (DRO)
Administrator e-mail: dro.admin@durham.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2025
Advanced Search