Dr Jenny Terry j.a.terry@durham.ac.uk
Associate Professor
“She was miraculously neutral”: Feeling, Ethics and Metafiction in Chimamanda Ngozi Adichie’s Americanah
Terry, Jennifer
Authors
Contributors
Jean Wyatt
Editor
Sheldon George
Editor
Abstract
This chapter examines the ethical and political inquiry at the center of Chimamanda Ngozi Adichie’s third novel, Americanah, published in 2013. The thinking of Sara Ahmed and Judith Butler helps elucidate the text’s exploration of emotion’s part in othering encounters and social structures as well as its posing of ethical reorientation and answerability. Ostensibly, Americanah offers a dual third-person narrative focus on the mirroring and contrasting migrant lives of Ifemelu and Obinze, and Adichie discusses how she draws on realist traditions in crafting a romance plot between the two characters. Yet, in order to shape her world of stratified, intersectional black identities, global migrant economics and invidious gender protocols—a world of compromise, false positions, entitlement and precarious self-realization—Adichie has made a more complex use of frame narrative, point of view and narrative alignment than previously recognized. Indeed, attention to the novel’s narrative contours and metafictional aspects allows a new understanding of the interrelation drawn between affect, ethics and social position. This opens the possibility of approaches to ethics and literature that are reinvigorated via ideological and narratological awareness.
Citation
Terry, J. (2020). “She was miraculously neutral”: Feeling, Ethics and Metafiction in Chimamanda Ngozi Adichie’s Americanah. In J. Wyatt, & S. George (Eds.), Reading Contemporary Black British and African American Women Writers: Race: Ethics: Narrative Form (33-51). Routledge. https://doi.org/10.4324/9780429199271
Online Publication Date | Feb 3, 2020 |
---|---|
Publication Date | 2020 |
Deposit Date | Aug 21, 2019 |
Publicly Available Date | Nov 3, 2021 |
Publisher | Routledge |
Pages | 33-51 |
Series Title | Narrative Theory and Culture |
Edition | 1st ed. |
Book Title | Reading Contemporary Black British and African American Women Writers: Race: Ethics: Narrative Form |
Chapter Number | 2 |
ISBN | 9780367189280 |
DOI | https://doi.org/10.4324/9780429199271 |
Public URL | https://durham-repository.worktribe.com/output/1631247 |
Publisher URL | https://www.taylorfrancis.com/chapters/edit/10.4324/9780429199271-4/miraculously-neutral-jennifer-terry |
Contract Date | Jun 27, 2019 |
Files
Accepted Book Chapter
(570 Kb)
PDF
Copyright Statement
This is an Accepted Manuscript of a book chapter published by Routledge in Reading Contemporary Black British and African American Women Writers: Race: Ethics: Narrative Form on February 3, 2020, available online: http://www.routledge.com/9780367189280
You might also like
Review of The Postapocalyptic Black Female Imagination
(2023)
Journal Article
Time Lapse and Time Capsules: The Chronopolitics of Octavia E. Butler's Fiction
(2019)
Journal Article
The Past, Present and Future in Critical Afrofuturisms
(2016)
Book Chapter
Review of Black Intersectionalities: A Critique for the 21st Century
(2015)
Journal Article
Downloadable Citations
About Durham Research Online (DRO)
Administrator e-mail: dro.admin@durham.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2024
Advanced Search