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‘It was a departure of sorts’: glocal homes in recent short fiction by Chimamanda Ngozi Adichie, Efemia Chela, Chibundu Onuzo and Lesley Nneka Arimah

Terry, Jennifer

‘It was a departure of sorts’: glocal homes in recent short fiction by Chimamanda Ngozi Adichie, Efemia Chela, Chibundu Onuzo and Lesley Nneka Arimah Thumbnail


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Abstract

This article takes off from two of the angles of contention found in critical responses to Paul Gilroy’s The Black Atlantic and subsequent Atlanticist studies: asymmetries and exclusions along gender lines, and insufficient attention to the dynamics of contemporary global capital. It examines what gets articulated when recent African short fiction is approached via a frame centered on the location of home, gendered labour, sexual and reproductive economies, and the interrelation of the domestic and capitalism. In particular, it is informed by Alexis Pauline Gumbs’s counter-heuristic to Gilroy, the Black Feminine Domestic. Gumbs’s attempt to make visible such a subject position and forms of labour prompts my focus on domestic workers and analogous figures, often migrant and low paid and sometimes found only at the edges of texts. I discuss Efemia Chela’s ‘Chicken’ (2014), Chibundu Onuzo’s ‘Sunita’ (2015), Lesley Nneka Arimah’s ‘Skinned’ (2019), and, from Chimamanda Ngozi Adichie’s collection The Thing Around Your Neck (2009), the stories ‘Imitation,’ ‘The Thing Around Your Neck’ and ‘On Monday of Last Week.’ Here the tropes of circulation and regimes of rationality identified by Gilroy find counterparts in the structuring of workforces, the reach of body and biopolitics, and discourses of national borders and migration. The lens of ‘women’s work’ permits an intersectional shift in and beyond Black Atlantic frames and the heteropatriarchal imagination, but the selected material and preoccupations here also seek to offer another opening on debates about, and genres of, ‘African’ writing.

Citation

Terry, J. (2023). ‘It was a departure of sorts’: glocal homes in recent short fiction by Chimamanda Ngozi Adichie, Efemia Chela, Chibundu Onuzo and Lesley Nneka Arimah. Cultural Studies, 37(2), 224-242. https://doi.org/10.1080/09502386.2022.2104894

Journal Article Type Article
Online Publication Date Aug 10, 2022
Publication Date 2023
Deposit Date Sep 8, 2022
Publicly Available Date Mar 15, 2023
Journal Cultural Studies
Print ISSN 0950-2386
Electronic ISSN 1466-4348
Publisher Taylor and Francis Group
Peer Reviewed Peer Reviewed
Volume 37
Issue 2
Pages 224-242
DOI https://doi.org/10.1080/09502386.2022.2104894
Public URL https://durham-repository.worktribe.com/output/1191788

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http://creativecommons.org/licenses/by-nc-nd/4.0/

Copyright Statement
© 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group
This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way.






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