Professor Michael Crang m.a.crang@durham.ac.uk
Professor
This paper is an attempt to juxtapose a variety of ways in which a city's history can be portrayed by working through various forms through which the history of Bristol has been envisioned. First, I hope to use the concept of the palimpsest from historical geography as a stage on which other ways of portraying the city can be interrogated. These other envisionings I subsequently stage are the visions bound up in touristic sights, that is in the pictures used in and created by heritage displays; and the 'dispersed memory' of archive pictures, principally the Reece Winstone archive of Bristol. By studying the connections and disjunctures in this triptych I hope to suggest the importance and complexity of technologies used to envisage the city. I try to suggest that pictures of the city cannot be used as naive documents to illustrate the passage of time -- despite how often they are used to do this. Different senses of historicity are manufactured through the space - times created by different processes of envisioning the city. I suggest the interlinkage of these technologies echoes through a specifically urban 'picturesque' photography that coalesces a sensitivity to the passage of time with a detailed cognisance of the city in visual depictions of Bristol.
Crang, M. (1996). Envisioning Urban Histories: Bristol as palimpsest, postcards, and snapshots. Environment and Planning A, 28(3), 429-452. https://doi.org/10.1068/a280429
Journal Article Type | Article |
---|---|
Publication Date | Mar 1, 1996 |
Deposit Date | Oct 1, 2008 |
Journal | Environment and Planning A |
Print ISSN | 0308-518X |
Electronic ISSN | 1472-3409 |
Publisher | SAGE Publications |
Peer Reviewed | Peer Reviewed |
Volume | 28 |
Issue | 3 |
Pages | 429-452 |
DOI | https://doi.org/10.1068/a280429 |
Public URL | https://durham-repository.worktribe.com/output/1606880 |
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