Professor Simon James s.j.james@durham.ac.uk
Professor
A Body Undressed for Text: Trilby in Parts
James, Simon J.; Miller, Emma V.
Authors
Emma V. Miller
Abstract
George Du Maurier’s best-selling novel, Trilby (1894), is as important because of its defiance of social and cultural norms as it is for its apparent compliance with them. Trilby is a fiction that, like its eponymous heroine, attempts to negotiate the perilously fine line between the highbrow and the lowbrow, or to put it another way, between fine art and political commentary on one side, and pornography and sensationalism on the other. This article examines the way that Du Maurier engages his readership in this textual tease – his seduction of the reader – by suggesting the possibility of a peep show where everything that Victorian respectability abhors may be on display, and then his narratological dressing of the text, to ensure that where there is sexual non-conformity there is also moralism, and where there is social confrontation there is also historical distance. Understanding the textual appeal of Trilby as a character, the artist’s model who enchanted the fin-de-siècle reading public, is essential to appreciating how the discourses of pornography and fine art interact and have consequently evolved. This article therefore examines why Trilby succeeded with the Victorians where other, similarly sexually active heroines – such as Thomas Hardy’s Sue Bridehead – failed. Trilby the novel and Trilby the woman are both broken down by their author into manageable parts, a pornographic fetishistic technique that simultaneously eroticises, and makes more palatable, the textual and the physical bodies.
Citation
James, S. J., & Miller, E. V. (2016). A Body Undressed for Text: Trilby in Parts. Feminist Theory, 17(1), 83-105. https://doi.org/10.1177/1464700115620862
Journal Article Type | Article |
---|---|
Acceptance Date | Oct 31, 2015 |
Online Publication Date | Jan 6, 2016 |
Publication Date | Apr 1, 2016 |
Deposit Date | Dec 12, 2015 |
Publicly Available Date | Jan 5, 2016 |
Journal | Feminist Theory |
Print ISSN | 1464-7001 |
Electronic ISSN | 1741-2773 |
Publisher | SAGE Publications |
Peer Reviewed | Peer Reviewed |
Volume | 17 |
Issue | 1 |
Pages | 83-105 |
DOI | https://doi.org/10.1177/1464700115620862 |
Keywords | Aesthetic, Fetish, Fin-de-siècle, Gender, Narratology, Pornography, Sexuality, Victorian |
Public URL | https://durham-repository.worktribe.com/output/1424833 |
Files
Accepted Journal Article
(453 Kb)
PDF
Copyright Statement
James, Simon J. and Miller, Emma V. (2016) 'A body undressed for text : 'Trilby' in parts.', Feminist theory., 17 (1). pp. 83-105. Copyright © 2016 The Author(s). Reprinted by permission of SAGE Publications.
You might also like
Material matters: The surfaces of realist fiction
(2022)
Book Chapter
Digital Seriality and Narrative Branching: Season One, the Podcast Serial
(2022)
Journal Article
Review of 'Science, Fiction, and the Fin-de-Siècle Periodical Press' by Will Tattersdill
(2019)
Journal Article
Durham Commission on Creativity and Education
(2019)
Report
Downloadable Citations
About Durham Research Online (DRO)
Administrator e-mail: dro.admin@durham.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2024
Advanced Search