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Along the Grain: the music of Cassandra Miller

Weeks, James

Authors



Abstract

This article is an analytical study of the music of, and an interview with, the Canadian composer Cassandra Miller. Her use of recordings as starting-points for several of her compositions is explored, as is her fondness for loop-based structures, which are sometimes inspired by analogous processes in the world of film. A brief overview of Miller's work to date is complemented by a close examination of several scores, notably Bel Canto, “O Zomer!” and Philip the wanderer. The concluding interview with the composer presents Miller's present musical and artistic concerns in her own words.

Citation

Weeks, J. (2014). Along the Grain: the music of Cassandra Miller. Tempo, 68(269), 50-64. https://doi.org/10.1017/s0040298214000060

Journal Article Type Article
Online Publication Date Jun 16, 2014
Publication Date 2014-07
Deposit Date Mar 29, 2018
Journal Tempo
Print ISSN 0040-2982
Electronic ISSN 1478-2286
Publisher Cambridge University Press
Peer Reviewed Peer Reviewed
Volume 68
Issue 269
Pages 50-64
DOI https://doi.org/10.1017/s0040298214000060
Public URL https://durham-repository.worktribe.com/output/1336364


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