Professor Nick Collins nick.collins@durham.ac.uk
Professor
This article considers the plight of the contemporary composer, and various options they have to engage with AI beyond simply sticking their head in the sand, from writing software to deliberate subversion of corpora and moving social goalposts. If composers aren't intimately involved with next generation music AI, they may find themselves on the sidelines, at the mercy of the musical representational decisions of the software should be engineers, whose musical and/or commercial preferences often favour more popular and Western idioms.
Collins, N. (online). Composition in the Age of AI. Ideas Sónicas/Sonic Ideas,
Journal Article Type | Article |
---|---|
Deposit Date | Jul 2, 2020 |
Journal | Ideas Sónicas |
Print ISSN | 2317-9694 |
Publisher | CMMAS |
Peer Reviewed | Peer Reviewed |
Public URL | https://durham-repository.worktribe.com/output/1298825 |
Publisher URL | http://www.sonicideas.org/magazine/articles/12/23 |
Avoiding an AI-imposed Taylor's Version of all music history
(2024)
Presentation / Conference Contribution
Xenophone
(2023)
Digital Artefact
Jack Code's Rebellion
(2022)
Book Chapter
OK Computer Analysis: An Audio Corpus Study of Radiohead
(2022)
Report
About Durham Research Online (DRO)
Administrator e-mail: dro.admin@durham.ac.uk
This application uses the following open-source libraries:
Apache License Version 2.0 (http://www.apache.org/licenses/)
Apache License Version 2.0 (http://www.apache.org/licenses/)
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2025
Advanced Search