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Taking on the tweed suits: Reflections on the ‘How the other half lives’ and its critique of masculinist geography

McEwan, Cheryl

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Abstract

In this commentary I explore the groundbreaking interventions of Jacky Tivers’ (1978) ‘How the other half lives’ (Area 10, 4, 302‐6). I recount both the context in which I first read and was inspired by the paper and the significance of the context in which it was written to highlight its contribution in focusing attention on two specific issues: the underrepresentation of women as producers of geographical knowledge and the exclusion of women’s issues as a focus of geographical inquiry. I argue that the paper broke new ground in the context of British geography by demonstrating the connections between the domination of the discipline by men and what was considered legitimate geographical knowledge, as well as demanding that the latter be addressed through the explicit study of the geography of women and gender relations. I reflect on the courage it took to challenge the status quo in 1970s geography and conclude with some thoughts on the contemporary resonances of the issues with which the paper was concerned.

Citation

McEwan, C. (2020). Taking on the tweed suits: Reflections on the ‘How the other half lives’ and its critique of masculinist geography. Area, 52(4), 770-777. https://doi.org/10.1111/area.12647

Journal Article Type Article
Acceptance Date Jun 19, 2020
Online Publication Date Jul 19, 2020
Publication Date 2020
Deposit Date Jul 2, 2020
Publicly Available Date Jul 29, 2020
Journal Area
Print ISSN 0004-0894
Electronic ISSN 1475-4762
Publisher Wiley
Peer Reviewed Peer Reviewed
Volume 52
Issue 4
Pages 770-777
DOI https://doi.org/10.1111/area.12647
Public URL https://durham-repository.worktribe.com/output/1267610

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Publisher Licence URL
http://creativecommons.org/licenses/by/4.0/

Copyright Statement
Advance online version This is an open access article under the terms of the Creative Commons Attribution License, which permits use, distribution and reproduction in any medium, provided the original work is properly cited.






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