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Geopoetics as Disruptive Aesthetics: Vignettes from Cairo

Nassar, Aya

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Abstract

In this paper, I perform an approach for a material and affective geography of the postcolonial city that is developed from within the spaces of Cairo and its archives. I propose storytelling the city through its geopoetics, where geopoetics emphasizes the elemental materiality of space. Taking inspiration from Angela Last, the geopoetics in this essay denotes disruptive aesthetics: intersection between word, aesthetics, and the geophysical materiality. This essay proceeds with a series of personal vignettes based on fieldwork in Cairo, Egypt. What if the narrative of downtown Cairo as a paradigmatic starting point in its history was explored through its consumption in fire? What could dust—the banal and irritating feature of the city is made central in probing its affective making and breaking? The essay is concerned with the ways we narrate and make meaning of this megacity of the Middle East.

Citation

Nassar, A. (2021). Geopoetics as Disruptive Aesthetics: Vignettes from Cairo. Geohumanities, 7(2), 455-463. https://doi.org/10.1080/2373566x.2021.1913436

Journal Article Type Article
Acceptance Date Mar 20, 2021
Online Publication Date Jun 21, 2021
Publication Date 2021
Deposit Date Jul 3, 2021
Publicly Available Date Aug 20, 2021
Journal GeoHumanities
Print ISSN 2373-566X
Electronic ISSN 2373-5678
Publisher Taylor and Francis Group
Peer Reviewed Peer Reviewed
Volume 7
Issue 2
Pages 455-463
DOI https://doi.org/10.1080/2373566x.2021.1913436
Public URL https://durham-repository.worktribe.com/output/1245674

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Publisher Licence URL
http://creativecommons.org/licenses/by-nc-nd/4.0/

Copyright Statement
© 2021 The Author(s). Published with license by Taylor & Francis Group, LLC.
This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way.






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