Dr Aya Nassar aya.m.nassar@durham.ac.uk
Assistant Professor
Geopoetics as Disruptive Aesthetics: Vignettes from Cairo
Nassar, Aya
Authors
Abstract
In this paper, I perform an approach for a material and affective geography of the postcolonial city that is developed from within the spaces of Cairo and its archives. I propose storytelling the city through its geopoetics, where geopoetics emphasizes the elemental materiality of space. Taking inspiration from Angela Last, the geopoetics in this essay denotes disruptive aesthetics: intersection between word, aesthetics, and the geophysical materiality. This essay proceeds with a series of personal vignettes based on fieldwork in Cairo, Egypt. What if the narrative of downtown Cairo as a paradigmatic starting point in its history was explored through its consumption in fire? What could dust—the banal and irritating feature of the city is made central in probing its affective making and breaking? The essay is concerned with the ways we narrate and make meaning of this megacity of the Middle East.
Citation
Nassar, A. (2021). Geopoetics as Disruptive Aesthetics: Vignettes from Cairo. Geohumanities, 7(2), 455-463. https://doi.org/10.1080/2373566x.2021.1913436
Journal Article Type | Article |
---|---|
Acceptance Date | Mar 20, 2021 |
Online Publication Date | Jun 21, 2021 |
Publication Date | 2021 |
Deposit Date | Jul 3, 2021 |
Publicly Available Date | Aug 20, 2021 |
Journal | GeoHumanities |
Print ISSN | 2373-566X |
Electronic ISSN | 2373-5678 |
Publisher | Taylor and Francis Group |
Peer Reviewed | Peer Reviewed |
Volume | 7 |
Issue | 2 |
Pages | 455-463 |
DOI | https://doi.org/10.1080/2373566x.2021.1913436 |
Public URL | https://durham-repository.worktribe.com/output/1245674 |
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Copyright Statement
© 2021 The Author(s). Published with license by Taylor & Francis Group, LLC.
This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way.
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