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Robert Schumann: Piano Concerto

Horton, Julian

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Abstract

Offering a concise introduction to one of the most important and influential piano concertos in the history of Western music, this handbook provides an example of the productive interaction of music history, music theory and music analysis. It combines an account of the work's genesis, Schumann's earlier, unsuccessful attempts to compose in the genre and the evolving conception of the piano concerto evident in his critical writing with a detailed yet accessible analysis of each movement, which draws on the latest research into the theory and analysis of nineteenth-century instrumental forms. This handbook also reconstructs the Concerto's critical reception, performance history in centres including London, Vienna, Leipzig and New York, and its discography, before surveying piano concertos composed under its influence in the century after its completion, including well-known concertos by Brahms, Grieg, Tchaikovsky and Rachmaninov, as well as lesser-known music by Scharwenka, Rubinstein, Beach, Macdowell and Stanford.

Book Type Authored Book
Publication Date 2023-11
Deposit Date Dec 13, 2022
Publicly Available Date May 31, 2024
Publisher Cambridge University Press
Series Title New Cambridge Music Handbooks
ISBN 9781009068291
DOI https://doi.org/10.1017/9781009067843
Public URL https://durham-repository.worktribe.com/output/1119996
Contract Date Nov 10, 2022

Files

Accepted Book Chapter (Sample Chapter: Chapter 1 - Rethinking the Romantic Piano Concerto) (3 Mb)
PDF

Copyright Statement
This material has been published in Robert Schumann: Piano Concerto by Julian Horton. This version is free to view and download for personal use only. Not for re-distribution, re-sale or use in derivative works.





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