Outputs (2)

Non-Verbal Meaning in Caroline Private Theatre: William Cavendish's and James Shirley's The Varietie (c.1641) (2006)
Journal Article
Ravelhofer, B. (2006). Non-Verbal Meaning in Caroline Private Theatre: William Cavendish's and James Shirley's The Varietie (c.1641). The Seventeenth Century, 21(2), 195-214

How did early modern actors convey meaning on stage without speaking? A few plays of the Caroline period developed an extraordinary taste for non-verbal communication by costume, movements, stage design and the like. Drawing upon 'The Varietie'(c.164... Read More about Non-Verbal Meaning in Caroline Private Theatre: William Cavendish's and James Shirley's The Varietie (c.1641).

The Early Stuart Masque: Dance, Costume, and Music (2006)
Book
Ravelhofer, B. (2006). The Early Stuart Masque: Dance, Costume, and Music. Oxford University Press

The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence r... Read More about The Early Stuart Masque: Dance, Costume, and Music.