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Professor Jeremy Dibble's Outputs (5)

Context, Form and Style in Sterndale Bennett's Piano Concertos (2016)
Journal Article
Dibble, J. (2016). Context, Form and Style in Sterndale Bennett's Piano Concertos. Nineteenth-Century Music Review, 13(2), 195-219. https://doi.org/10.1017/s1479409816000616

A concert pianist in his own right and a prodigious youth, Sterndale Bennett composed his five complete piano concertos at the beginning of his career. Although Mozart is often cited as a major influence on Bennett’s musical style, and Bennett was a... Read More about Context, Form and Style in Sterndale Bennett's Piano Concertos.

Hamilton Harty's Ode to a Nightingale: A Confluence of Wagner and Elgar (2016)
Journal Article
Dibble, J. (2016). Hamilton Harty's Ode to a Nightingale: A Confluence of Wagner and Elgar. Journal of the Society for Musicology in Ireland, 11(2015-16), 57-81

Hamilton Harty, a figure readily associated with an assimilation of Irish culture, in 1907 composed a setting of Keats’s Ode to a Nightingale specially for his wife, the soprano Agnes Nicholls. Nicholls had become a pre-eminent Wagnerian soprano in L... Read More about Hamilton Harty's Ode to a Nightingale: A Confluence of Wagner and Elgar.