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All Outputs (970)

Communication in Indian raga performance (2005)
Book Chapter
Clayton, M. (2005). Communication in Indian raga performance. In D. Miell, D. Hargreaves, & R. MacDonald (Eds.), Musical communication (361-381). Oxford University Press

Armenian Music: a Comprehensive Bibliography and Discography (2004)
Book
McCollum, J., & Nercessian, A. (2004). Armenian Music: a Comprehensive Bibliography and Discography. Scarecrow Press

The following text is taken from the Scarecrow Press website. "More than a bibliography, McCollum's work also deals with issues of context and culture that will be of interest to ethnomusicologists working in the area of Armenian music. It also inclu... Read More about Armenian Music: a Comprehensive Bibliography and Discography.

Metaphor and Musical Thought (2004)
Book
Spitzer, M. (2004). Metaphor and Musical Thought. The University of Chicago Press

The following text is taken from the publisher's website. "The experience of music is an abstract and elusive one, enough so that we're often forced to describe it using analogies to other forms and sensations: we say that music moves or rises like a... Read More about Metaphor and Musical Thought.

Bruckner and the Symphony Orchestra (2004)
Book Chapter
Horton, J. (2004). Bruckner and the Symphony Orchestra. In J. Williamson (Ed.), The Cambridge Companion to Bruckner (138-169). Cambridge University Press

'Globalalia' (2004)
Other
Wishart, T. (2004). 'Globalalia'. [DVD/CD]

Voices in 26 languages were collected from the airwaves, and cut into over 8300 spoken syllables. These were organized in a database and then used to create a series of 20+ short movements each exploring the possibilities of one (or two) syllabic typ... Read More about 'Globalalia'.

'Performance, Reification, and Score: the Dialectics of Spatialization and Temporality in the Experience of Music' (2004)
Journal Article
Paddison, M. (2004). 'Performance, Reification, and Score: the Dialectics of Spatialization and Temporality in the Experience of Music'. Musicae Scientiae, Discussion Forum 3, 157-179. https://doi.org/10.1177/10298649040080s111

The following text is taken from the Introduction to Part II written by Professor Paddison. "Like Peter Kivy, my article also deals in part with the experience of the continuities and discontinuities of musical temporality. At the same time there are... Read More about 'Performance, Reification, and Score: the Dialectics of Spatialization and Temporality in the Experience of Music'.