Nineteenth-Century British Music Studies
Volume 3
(2003)
Book
Volume 3. Routledge
All Outputs (12)
L’isola che non c’è. Madonna e la World Music (2003)
Book Chapter
Leante, L. (2003). L’isola che non c’è. Madonna e la World Music. In C. Fiore (Ed.), Madonna (65-84). L’Epos
Theses (2003)
Book Chapter
Dibble, J. (2003). Theses. In L. Foreman (Ed.), Information Sources in Music (168-177). K G Saur
Hubert Parry: Sonatas for Violin and Pianoforte (2003)
Data
Dibble, J. (2003). Hubert Parry: Sonatas for Violin and Pianoforte. [Dataset]
'The Influence of Recording Technologies on the Early Development of Electroacoustic Music' (2003)
Journal Article
Manning, P. (2003). 'The Influence of Recording Technologies on the Early Development of Electroacoustic Music'. Leonardo music journal, 13, 5-10From the earliest experiments with the manipulation of 78-rpm disks during the 1920s, the technology of recording has played a major role in the evolution of electroacoustic music. This has extended not only to the recording and reproduction of mater... Read More about 'The Influence of Recording Technologies on the Early Development of Electroacoustic Music'.
'Agricola Versus Alamire: The Lie of the Sources' (2003)
Book Chapter
Fitch, F. (2003). 'Agricola Versus Alamire: The Lie of the Sources'. In B. Bouckaert, & E. Schreurs (Eds.), The Burgundian-Habsburg court complex of music manuscripts (1500-1535) and the workshop of Petrus Alamire : colloquium proceedings, 25-28 November 1999, Leuven (299-308). AlamireThis article challenges a long-held assumption that the manuscript sources known collectively by the designation of their presumed scribe ('Scribe B') are part of a so-called Hapsburg-Burgundian scriptorium working at the Netherlands court. The princ... Read More about 'Agricola Versus Alamire: The Lie of the Sources'.
'The Metaphor of Musical Space' (2003)
Journal Article
Spitzer, M. (2003). 'The Metaphor of Musical Space'. Musicae Scientiae, 1(7), 101-120Pitch space and Riemannian space offer divergent perspectives on tonal space in general. This article suggests that cognitive metaphor theory offers a means of understanding Riemannian space as a metaphorical mapping from pitch space; as an extension... Read More about 'The Metaphor of Musical Space'.
'Thoughts on How to Play in Tune: Pitch and Intonation' (2003)
Journal Article
Kanno, M. (2003). 'Thoughts on How to Play in Tune: Pitch and Intonation'. Contemporary Music Review, 22(1-2), 35-52. https://doi.org/10.1080/0749446032000134733This paper examines the range of intonation practices on the violin over the last two centuries. There are four types of expressive tuning: harmonic, melodic, corrective and colouristic. The development of musical language has created tension between... Read More about 'Thoughts on How to Play in Tune: Pitch and Intonation'.
Andrew Glover : the 'death of angels' for violin and orchestra (2003)
Exhibition / Performance
Kanno, M. (2003). Andrew Glover : the 'death of angels' for violin and orchestra. [broadcast]. 24 January 2003. (Unpublished)The work, a large-scale three-movement violin concerto lasting 33 minutes, explores the tradition and rhetoric of Romantic violin concerto. The poetic impetus is derived from Milton’s ‘Paradise Lost’ and each movement is prefaced by lines from the po... Read More about Andrew Glover : the 'death of angels' for violin and orchestra.
The Cultural Study of Music: A Critical Introduction (2003)
Book
Clayton, M., Herbert, T., & Middleton, R. (Eds.). (2003). The Cultural Study of Music: A Critical Introduction. Routledge
Comparing music, comparing musicology (2003)
Book Chapter
Clayton, M. (2003). Comparing music, comparing musicology. In M. Clayton, T. Herbert, & R. Middleton (Eds.), The cultural study of music : a critical introduction (57-68). Routledge
'Stravinsky as devil: Adorno's three critiques' (2003)
Book Chapter
Paddison, M. (2003). 'Stravinsky as devil: Adorno's three critiques'. In J. Cross (Ed.), The Cambridge companion to Stravinsky (192-202). Cambridge University Press