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All Outputs (343)

Replication in music psychology. (2013)
Journal Article
Frieler, K., Mullensiefen, D., Fischinger, T., Schlemmer, K., Jakubowski, K., & Lothwesen, K. (2013). Replication in music psychology. Musicae Scientiae, 17(3), 265-276. https://doi.org/10.1177/1029864913495404

In this article, we address the current state and general role of replication in empirical sciences in general and music psychology in particular. We argue that replication should be an integral part of the quality management of science because it he... Read More about Replication in music psychology..

A Mysterious Island in the Digital Age: Technology and Musical Life in Ulleungdo, South Korea (2013)
Journal Article
Mills, S. R., & Park, S. (2013). A Mysterious Island in the Digital Age: Technology and Musical Life in Ulleungdo, South Korea. Ethnomusicology Forum, 22(2), 160-187. https://doi.org/10.1080/17411912.2012.713774

This paper contributes to the growing body of ethnomusicological research about music-making on small islands, focusing on the remote South Korean island of Ulleungdo (literally, ‘Mysterious Island’). Historically, a number of factors have conspired... Read More about A Mysterious Island in the Digital Age: Technology and Musical Life in Ulleungdo, South Korea.

The influence of music-elicited emotions and relative pitch on absolute pitch memory for familiar melodies. (2013)
Journal Article
Jakubowski, K., & Mullensiefen, D. (2013). The influence of music-elicited emotions and relative pitch on absolute pitch memory for familiar melodies. Quarterly Journal of Experimental Psychology, 66(7), 1259-1267. https://doi.org/10.1080/17470218.2013.803136

Levitin's findings that nonmusicians could produce from memory the absolute pitches of self-selected pop songs have been widely cited in the music psychology literature. These findings suggest that latent absolute pitch (AP) memory may be a more wide... Read More about The influence of music-elicited emotions and relative pitch on absolute pitch memory for familiar melodies..

Emotional Expression in Music: Contribution, Linearity, and Additivity of Primary Musical Cues (2013)
Journal Article
Eerola, T., Friberg, A., & Bresin, R. (2013). Emotional Expression in Music: Contribution, Linearity, and Additivity of Primary Musical Cues. Frontiers in Psychology, 4, Article 487. https://doi.org/10.3389/fpsyg.2013.00487

The aim of this study is to manipulate musical cues systematically to determine the aspects of music that contribute to emotional expression, and whether these cues operate in additive or interactive fashion, and whether the cue levels can be charact... Read More about Emotional Expression in Music: Contribution, Linearity, and Additivity of Primary Musical Cues.

Miscellany and Collegiality in the British Periodical Press: The Harmonicon (1823–1833) (2013)
Journal Article
Johnson-Hill, E. (2013). Miscellany and Collegiality in the British Periodical Press: The Harmonicon (1823–1833). Nineteenth-Century Music Review, 9(2), 255-293. https://doi.org/10.1017/s1479409812000304

The Harmonicon was, in its day, London's premiere music periodical, gaining a wide and loyal readership at home and abroad. Perhaps the most the distinctive feature of the journal was its deliberate imperative to raise what it considered to be the ‘l... Read More about Miscellany and Collegiality in the British Periodical Press: The Harmonicon (1823–1833).

Gesture and the sonic event in Karnatak music (2013)
Journal Article
Pearson, L. (2013). Gesture and the sonic event in Karnatak music. Empirical Musicology Review, 8(1), 2-14. https://doi.org/10.18061/emr.v8i1.3918

This paper presents an analysis of the relationship between gesture and music in the context of a Karnatak vocal lesson recorded in Tamil Nadu, South India in September 2011. The study aims to examine instances of correspondence between gesture and s... Read More about Gesture and the sonic event in Karnatak music.