All Outputs (11)

From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax's Riverrun (2014)
Presentation / Conference Contribution
Clarke, M., Dufeu, F., & Manning, P. (2014, September). From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax's Riverrun. Presented at 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference, Athens, Greece

This paper presents an approach to studying Barry Truax’s Riverrun as it is being carried out within the TaCEM project (Technology and Creativity in Electroacoustic Music), a collaboration between the Universities of Huddersfield and Durham funded fo... Read More about From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax's Riverrun.

Introducing TaCEM and the TIAALS Software (2013)
Presentation / Conference Contribution
Manning, P., Clarke, M., Dufeu, F., Hope, C., & Vickery, L. (2013, August). Introducing TaCEM and the TIAALS Software. Presented at 2013 International Computer Music Conference, Perth, Western Australia

This paper introduces the TaCEM project (Technology and Creativity in Electroacoustic Music), funded for 30 months by the Arts and Humanities Research Council in the UK, investigating the relationship between technological innovation and creative pra... Read More about Introducing TaCEM and the TIAALS Software.

TIAALS: A New Generic Set of Tools for the Interactive Aural Analysis of Electroacoustic Music (2013)
Presentation / Conference Contribution
Clarke, M., Dufeu, F., & Manning, P. (2013, June). TIAALS: A New Generic Set of Tools for the Interactive Aural Analysis of Electroacoustic Music. Presented at Electroacoustic Music in the Context of Interactive Approaches and Networks, Lisbon, Portugal

TIAALS is a development from earlier Interactive Aural Analyses. As well as playing an important role in the TaCEM project, TIAALS provides a set of generic tools that can be used by any analyst seeking a means of working interactively with the sound... Read More about TIAALS: A New Generic Set of Tools for the Interactive Aural Analysis of Electroacoustic Music.

Electronic and Computer Music: Fourth Edition (2013)
Book
Manning, P. (2013). Electronic and Computer Music: Fourth Edition. (4th ed.). Oxford University Press

The Oramics Machine: From Vision to Reality (2012)
Journal Article
Manning, P. (2012). The Oramics Machine: From Vision to Reality. Organised Sound, 17(2), 137-147. https://doi.org/10.1017/s1355771812000064

The pioneering contributions of Daphne Oram to visual music, notably the construction of her unique synthesiser known as the Oramics Machine during the 1960s, have yet to be fully recognised. The development of this synthesiser, in terms of both the... Read More about The Oramics Machine: From Vision to Reality.

La Musique Concrète et ses Appareils (2012)
Book Chapter
Manning, P. (2012). La Musique Concrète et ses Appareils. In M. Kaltenecker, & K. Le Bail (Eds.), Pierre Schaeffer: Les constructions impatientes (140-151). CNRS Editions

The Influence of Technology on the Composition of Stockhausen's Octophonie, with particular reference to the issues of spatialisation in a three-dimensional listening environment (2008)
Journal Article
Manning, P., & Clarke, M. (2008). The Influence of Technology on the Composition of Stockhausen's Octophonie, with particular reference to the issues of spatialisation in a three-dimensional listening environment. Organised Sound, 13(3), 177-187. https://doi.org/10.1017/s1355771808000277

The legacy of Stockhausen's role in developing the art and practice of electroacoustic music is significant, in terms of both the repertory of works he produced for the medium from the early 1950s right up to his death in 2007, and also the supportin... Read More about The Influence of Technology on the Composition of Stockhausen's Octophonie, with particular reference to the issues of spatialisation in a three-dimensional listening environment.

'The Significance of Techné in Understanding the Art and Practice of Electroacoustic Composition' (2006)
Journal Article
Manning, P. (2006). 'The Significance of Techné in Understanding the Art and Practice of Electroacoustic Composition'. Organised Sound, 11(1), 81-90. https://doi.org/10.1017/s1355771806000112

The birth of electroacoustic music is associated with an era of creativity which is now firmly embedded in the past. As the years advance so the opportunities for evaluating the pioneering years of the medium become increasingly remote. Few can now c... Read More about 'The Significance of Techné in Understanding the Art and Practice of Electroacoustic Composition'.

Electronic and Computer Music (2004)
Book
Manning, P. (2004). Electronic and Computer Music. (Rev. and expanded ed.). Oxford University Press

'The Influence of Recording Technologies on the Early Development of Electroacoustic Music' (2003)
Journal Article
Manning, P. (2003). 'The Influence of Recording Technologies on the Early Development of Electroacoustic Music'. Leonardo music journal, 13, 5-10

From the earliest experiments with the manipulation of 78-rpm disks during the 1920s, the technology of recording has played a major role in the evolution of electroacoustic music. This has extended not only to the recording and reproduction of mater... Read More about 'The Influence of Recording Technologies on the Early Development of Electroacoustic Music'.

'In Memoriam CPR' (2001)
Other
Manning, P. (2001). 'In Memoriam CPR'. [Hi-8 tape using Tascam's DTRS DA 88 format]