All Outputs (28)

A Machine-Learning Assisted Approach to Reconstructing Polyphony from Lute Tablature using a Corpus of William Byrd's Consort Songs (2020)
Journal Article
Sequera, H., & de Valk, R. (online). A Machine-Learning Assisted Approach to Reconstructing Polyphony from Lute Tablature using a Corpus of William Byrd's Consort Songs

A Historical, Practical and Computer-Based Approach to Reconstructing Vocal and Instrumental Polyphony from Lute Tablature (2019)
Presentation / Conference Contribution
Sequera, H. (2019, December). A Historical, Practical and Computer-Based Approach to Reconstructing Vocal and Instrumental Polyphony from Lute Tablature. Paper presented at Seminar Series, Royal Holloway University of London

Reconstructing William Byrd’s consort songs from the Paston lutebooks: a historically informed and computational approach to comparative analysis and musical idiom (2019)
Journal Article
Sequera, H. (2019). Reconstructing William Byrd’s consort songs from the Paston lutebooks: a historically informed and computational approach to comparative analysis and musical idiom. Early Music, 47(4), 455-477. https://doi.org/10.1093/em/caz069

This article outlines how computational analysis can be applied to the process of making and evaluating idiomatic reconstructions of polyphonic music from lute intabulations. It focuses on some of William Byrd’s consort songs that survive only as int... Read More about Reconstructing William Byrd’s consort songs from the Paston lutebooks: a historically informed and computational approach to comparative analysis and musical idiom.

Machine-Learning Assisted Polyphonic Reconstruction (2019)
Presentation / Conference Contribution
Sequera, H., & Valk, R. D. (2019, December). Machine-Learning Assisted Polyphonic Reconstruction. Presented at IMS (Tablature Study Group), Centre National de la Recherche Scientifique - Universite de Tours

Dragons! Tales and Music from the North East (REED-NE). A Performance with North East Folk Artists The Brothers Gillespie (2019)
Exhibition / Performance
Sequera, H., & al, E. (in press). Dragons! Tales and Music from the North East (REED-NE). A Performance with North East Folk Artists The Brothers Gillespie. Performed at Priors Hall, Durham Cathedral. 14 June 2019

Souls of the North (REED-NE). A Revival of North East Customs that Celebrate, Challenge, or Commemorate Death (2018)
Exhibition / Performance
Sequera, H., & et al. (in press). Souls of the North (REED-NE). A Revival of North East Customs that Celebrate, Challenge, or Commemorate Death. Performed at Durham University Music Department. 12 September 2018

Reconstructing the Music of William Byrd: A Practical and Computer-Based Appraisal (2018)
Presentation / Conference Contribution
Sequera, H. (2018, December). Reconstructing the Music of William Byrd: A Practical and Computer-Based Appraisal. Presented at Medieval and Renaissance Music Conference (MedRen), Maynooth University (Ireland)

Lost Voices of the North East. A Lecture Recital Including Actors, Music, and Recitations (REED-NE). (2017)
Exhibition / Performance
Sequera, H., & et al. (in press). Lost Voices of the North East. A Lecture Recital Including Actors, Music, and Recitations (REED-NE). Performed at Music Department, Durham University. 25 November 2017

Medieval and Early Modern Food and Music as Part of the Being Human Festival (2017)
Exhibition / Performance
Sequera, H., Gaspers, G., & et al. (in press). Medieval and Early Modern Food and Music as Part of the Being Human Festival. Performed at Blackfriars Restaurant - Newcastle. 19 November 2017

“Canto Bello”: Performance Practice of 15th and 16th Century Italian Secular Music (2016)
Presentation / Conference Contribution
Sequera, H. (2016, December). “Canto Bello”: Performance Practice of 15th and 16th Century Italian Secular Music. Paper presented at Seminar Lecture Series, Sheffield University - Music Department

Alternatives to the ‘English a cappella heresy’: Performance Practice of Sacred Spanish Polyphony in English Domestic Circles based on Elizabethan and Early Jacobean Sources (2015)
Book Chapter
Sequera, H. (2015). Alternatives to the ‘English a cappella heresy’: Performance Practice of Sacred Spanish Polyphony in English Domestic Circles based on Elizabethan and Early Jacobean Sources. In T. Knighton, & E. Ros-Fábregas (Eds.), New perspectives on early music in Spain (447-462). Edition Reichenberger

Lecture Recital: ‘From Pietrobono to Bossinensis: Reassessing Frottola Performance Practice Through F-Pn Rés. Vmd. MS 27' (2014)
Presentation / Conference Contribution
Sequera, H. (2014, December). Lecture Recital: ‘From Pietrobono to Bossinensis: Reassessing Frottola Performance Practice Through F-Pn Rés. Vmd. MS 27'. Presented at MedRen Conference, Birmingham

Chaired session. (2013)
Presentation / Conference Contribution
Sequera, H. (2013, December). Chaired session. Paper presented at Sources of Identity: Makers, Owners and Users of Music Sources Before 1600, Sheffield

Conference organisation (2013)
Presentation / Conference Contribution
Sequera, H. (2013, December). Conference organisation. Paper presented at John Dowland 450th Anniversary Conference, Cambridge

In the Privacy of Thy Chamber: Aspects of Musical Literacy in the English Renaissance (2012)
Presentation / Conference Contribution
Sequera, H. (2012, December). In the Privacy of Thy Chamber: Aspects of Musical Literacy in the English Renaissance. Presented at MedRen Conference, Nottingham

Las Vihuelas o Laúdes en la Colección de Música del Gentilhombre Ingles “Eduardo Paston”: Contexto y Consideraciones Practicas (2012)
Presentation / Conference Contribution
Sequera, H. (2012, December). Las Vihuelas o Laúdes en la Colección de Música del Gentilhombre Ingles “Eduardo Paston”: Contexto y Consideraciones Practicas. Presented at Festival de Musica Antigua de Guijon, Gijon

Practice and Dissemination of Music in Catholic Networks as Suggested By the Music Collection of Edward Paston (1550-1630) and Other Sources (2012)
Book Chapter
Sequera, H. (2012). Practice and Dissemination of Music in Catholic Networks as Suggested By the Music Collection of Edward Paston (1550-1630) and Other Sources. In D. J. Smith, & R. Taylor (Eds.), Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of Essays in Celebration of Peter Philips’s 450th Anniversary (215-229). Ashgate Press

Victoria in England through the Lute: Reception and Performance practice of Tomas Luis de Victoria's Music in the Context of the Music Collection of Edward Paston (1550-1630) (2012)
Journal Article
Sequera, H. (2012). Victoria in England through the Lute: Reception and Performance practice of Tomas Luis de Victoria's Music in the Context of the Music Collection of Edward Paston (1550-1630). Revista de musicología, XXXV(1), 385-400

Music in English Domestic Circles (2012)
Exhibition / Performance
Sequera, H. Music in English Domestic Circles. [CD, score, text portfolio]. Performed at Nottingham, England. 9 July 2012

Organised study day (2011)
Presentation / Conference Contribution
Sequera, H. (2011, December). Organised study day. Paper presented at Domestic Music in Recusant Circles in Elizabethan and Jacobean Times, Cambridge