All Outputs (41)

No Conclusions / The Work of Western Botanical Metaphors in Ethnographies of Native American Song (2023)
Journal Article
Eidsheim, N. S., & Walden, D. K. (2023). No Conclusions / The Work of Western Botanical Metaphors in Ethnographies of Native American Song

Seeds, Husks, or Dried Flowers: Shaping Attentive Practices and Settler Colonial Land Ethics Through the Use of Botanical Metaphors in Ethnographies of Native American Song (2022)
Presentation / Conference Contribution
Eidsheim, N. S., & Walden, D. K. (2022). Seeds, Husks, or Dried Flowers: Shaping Attentive Practices and Settler Colonial Land Ethics Through the Use of Botanical Metaphors in Ethnographies of Native American Song.

Retuning Resistance: Pan Asianism and the Colonial Encounter in Japanese Imperial Ethnomusicology. (Roundtable: Rethinking the Colonial Encounter, organised by Kim Sauberlich and Parkorn Wangpaiboonkit) (2022)
Presentation / Conference Contribution
Walden, D. K. (2022, August). Retuning Resistance: Pan Asianism and the Colonial Encounter in Japanese Imperial Ethnomusicology. (Roundtable: Rethinking the Colonial Encounter, organised by Kim Sauberlich and Parkorn Wangpaiboonkit). Paper presented at IMS2022: 21st Quinqennial International Musicological Society Congress, Athens, Greece

Stories of Tonality in the Age of François-Joseph Fétis (2021)
Journal Article
Walden, D. K. (2021). Stories of Tonality in the Age of François-Joseph Fétis. Journal of Music Theory, 65(1), 171-183. https://doi.org/10.1215/00222909-9124774

Pitch Fundamentalism and the Invention of Tonal Space. (Special Session: Anti-Racist Music Theory, organised by Jade Conlee and Tatiana Koike) (2021)
Presentation / Conference Contribution
Walden, K. (2021, November). Pitch Fundamentalism and the Invention of Tonal Space. (Special Session: Anti-Racist Music Theory, organised by Jade Conlee and Tatiana Koike). Paper presented at Society of Music Theory, Online

The Palm of Priority: Indian-Italian Transnationalism and the Provincialization of European Music Theory (2020)
Presentation / Conference Contribution
Walden, D. K. (2020). The Palm of Priority: Indian-Italian Transnationalism and the Provincialization of European Music Theory.

The Mysterious Kymographer (2020)
Presentation / Conference Contribution
Walden, D. K. (2020). The Mysterious Kymographer.

Rethinking Cultural Relativism: Alexander John Ellis and Krishnaji Ballal Deval in Late Colonial India (2020)
Presentation / Conference Contribution
Walden, D. K. (2020). Rethinking Cultural Relativism: Alexander John Ellis and Krishnaji Ballal Deval in Late Colonial India.

Pitch vs. Timbre (2019)
Book Chapter
Walden, D. K. (2019). Pitch vs. Timbre. In A. Rehding, & E. I. Dolan (Eds.), The Oxford Handbook of Timbre. Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190637224.013.33

A Music ‘Freed from Artificial Temperament’: The Science and Politics of Tanaka Shōhei’s Just-Intonation Instruments (2018)
Presentation / Conference Contribution
Walden, D. K. (2018). A Music ‘Freed from Artificial Temperament’: The Science and Politics of Tanaka Shōhei’s Just-Intonation Instruments.

The Enharmonium and Tanaka Shōhei [Junseichō-orugan to Tanaka Shōhei] (2018)
Presentation / Conference Contribution
Walden, D. K., & Tanaka, T. (2018, December). The Enharmonium and Tanaka Shōhei [Junseichō-orugan to Tanaka Shōhei]

Sound Atoms and Mother’s Milk: Johanna Kinkel’s Emancipatory Vision of Music Theory (2018)
Presentation / Conference Contribution
Walden, D. K. (2018). Sound Atoms and Mother’s Milk: Johanna Kinkel’s Emancipatory Vision of Music Theory.

Alexander John Ellis: Pitch Fundamentalist (2018)
Presentation / Conference Contribution
Walden, D. K. (2018). Alexander John Ellis: Pitch Fundamentalist.

Johanna Kinkel, Microtonalism and Mother’s Milk (2018)
Presentation / Conference Contribution
Walden, D. K. (2018). Johanna Kinkel, Microtonalism and Mother’s Milk.

Tanaka Shōhei’s Instruments and Geistiger Verkehr (2017)
Presentation / Conference Contribution
Walden, D. K. (2017). Tanaka Shōhei’s Instruments and Geistiger Verkehr.

The Root Cause of Musical Disease’: KB Deval and the Politics of Early 20th-Century Musical Studies in India. (2017)
Presentation / Conference Contribution
Walden, D. K. (2017). The Root Cause of Musical Disease’: KB Deval and the Politics of Early 20th-Century Musical Studies in India.

Emancipate the Quartertone: The Call to Revolution in Nineteenth-Century Music Theory (2017)
Journal Article
Walden, D. K. (2017). Emancipate the Quartertone: The Call to Revolution in Nineteenth-Century Music Theory. History of humanities, 2(2), 327-344. https://doi.org/10.1086/693317

Composing at the Keyboard: Assessing the Theory Behind Schoenberg’s Musical Typewriter (2017)
Journal Article
Walden, D. K. (2017). Composing at the Keyboard: Assessing the Theory Behind Schoenberg’s Musical Typewriter

Daniele Barbaro, Nicola Vicentino, and Vitruvian Music Theory in Sixteenth-Century Italy (2017)
Book Chapter
Walden, D. K. (2017). Daniele Barbaro, Nicola Vicentino, and Vitruvian Music Theory in Sixteenth-Century Italy. In F. Lemerle, V. Zara, P. Caye, & L. Moretti (Eds.), Daniele Barbaro 1514-1570: Vénitien, patricien, humaniste (373-388). Brepols Publishers

A Music ‘Freed from Artificial Temperament': The Science and Politics Behind Tanaka Shōhei's Instruments (2017)
Presentation / Conference Contribution
Walden, D. K. (2017, December). A Music ‘Freed from Artificial Temperament': The Science and Politics Behind Tanaka Shōhei's Instruments. Paper presented at Studio31, Schola Cantorum, Basel