Sounding Fascism: Europe’s Musical Gifts to Japan on the Occasion of the Empire’s 2600th Anniversary
(2025)
Book Chapter
Hsieh, A. Sounding Fascism: Europe’s Musical Gifts to Japan on the Occasion of the Empire’s 2600th Anniversary. In H. K. H. Chang, H. Law, & N. Y. Rao (Eds.), Music and Sound in Transpacific East Asia. Palgrave Macmillan
All Outputs (10)
Consuming Operetta: Gender, Genre and the Bandmann Opera Company in Early Twentieth-Century Japan (2025)
Book Chapter
Hsieh, A. (in press). Consuming Operetta: Gender, Genre and the Bandmann Opera Company in Early Twentieth-Century Japan. In C. Rowden, P. Mugayar Kühl, & B. Gentili (Eds.), Opera in Transnational Context: Circulating Identities and Cultures. Routledge
Globalizing Comparative Musicology? Inter-Asian Perspectives on Global Music History (2025)
Journal Article
Hsieh, A., & Olley, J. (in press). Globalizing Comparative Musicology? Inter-Asian Perspectives on Global Music History. Music and Letters,
Global Musicology: Music Histories from 'Elsewhere' (2025)
Book
Hsieh, A., & Wolkowicz, V. (Eds.). (in press). Global Musicology: Music Histories from 'Elsewhere'. Palgrave Macmillan
Review of ‘Dialogues: Towards decolonising music and dance studies’, edited by Tan Sooi Beng & Marcia Ostashewski (2023)
Journal Article
Hsieh, A. (2023). Review of ‘Dialogues: Towards decolonising music and dance studies’, edited by Tan Sooi Beng & Marcia Ostashewski. Ethnomusicology Forum, 32(3), 461-466. https://doi.org/10.1080/17411912.2023.2270986
The Mask of Bourgeois Masculinity and Franz Schreker’s _Die Gezeichneten_ (2022)
Journal Article
Hsieh, A. (2022). The Mask of Bourgeois Masculinity and Franz Schreker’s _Die Gezeichneten_. Cambridge Opera Journal, 34(3), 338-363. https://doi.org/10.1017/s0954586722000246This article interrogates how Franz Schreker's Die Gezeichneten and its early reception reflected an uneasiness about the confines of manhood. As an opera with a complex genesis and a difficult reception history, Die Gezeichneten's allure comes from... Read More about The Mask of Bourgeois Masculinity and Franz Schreker’s _Die Gezeichneten_.
Jewish Difference and Recovering ‘Commedia’: Erich W. Korngold’s ‘Die tote Stadt’ in Post-First World War Austria (2022)
Journal Article
Hsieh, A. (2022). Jewish Difference and Recovering ‘Commedia’: Erich W. Korngold’s ‘Die tote Stadt’ in Post-First World War Austria. Music and Letters, 103(4), 685-707. https://doi.org/10.1093/ml/gcac043Commedia dell’arte re-emerged in the early twentieth century to become a means for Europe’s assimilated Jews to process the conditions of modernity by non-serious means. Yet, existing scholarship on Erich W. Korngold’s Die tote Stadt tends to focus o... Read More about Jewish Difference and Recovering ‘Commedia’: Erich W. Korngold’s ‘Die tote Stadt’ in Post-First World War Austria.
Lyrical Tension, Collective Voices: Masculinity in Alban Berg's _Wozzeck_ (2019)
Journal Article
Hsieh, A. (2019). Lyrical Tension, Collective Voices: Masculinity in Alban Berg's _Wozzeck_. Journal of the Royal Musical Association, 144(2), https://doi.org/10.1080/02690403.2019.1651496
Review of Masculinity in Opera: Gender, History, and New Musicology. Edited by Philip Purvis (2016)
Journal Article
Hsieh, A. (2016). Review of Masculinity in Opera: Gender, History, and New Musicology. Edited by Philip Purvis. Music and Letters, 97(3), https://doi.org/10.1093/ml/gcw062
Review of Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds. By Peter Franklin (2016)
Journal Article
Hsieh, A. (2016). Review of Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds. By Peter Franklin. Music and Letters, 97(4), 659-661. https://doi.org/10.1093/ml/gcw091