Dr Maximilian Hepach maximilian.g.hepach@durham.ac.uk
Assistant Professor
Wind itself, many have noted, is invisible. In both the archive and the field, we encountered the difficulty of getting wind into view ourselves, foregrounded by the many strategies developed to capture wind with the help of various proxies, instruments, and representations. Facing this difficulty, we here draw together work from elemental media theory and feminist new materialism to develop a novel theoretical and methodological approach to wind we call “elemental chiasmus.” We begin by acknowledging wind’s ephemeral nature. Instead of delineating wind as a definite object, we argue that wind is momentarily stabilised and rendered legible when it metaphorically “diffracts” through other elemental media. Across three sections, we trace different practices of elemental mediation which provide wind with a specific shape: In “Aeolian sensing,” we highlight past and present practices of atmospheric sensing which give wind horizontal and vertical shape by diffracting through particulate matter, sound, and electromagnetic waves. In “Aeolian geology,” we undertake an elemental reading of John Muir’s field notes to highlight his application of elemental chiasmus in making sense of both long-term geologic change and short-term changes in wind and weather. In “Aeolian art,” we finally turn to the artistic work of Leonardo Da Vinci and Vincent Van Gogh to demonstrate how their related strategies of linear disegno and pastose capture wind by diffracting it through water and oil. Viewed together, wind “comes to matter” or accrues meaning through an iterative and open “diffractive reading” across elements; a method we call elemental chiasmus.
Hepach, M. G., & Schneider, B. (2025). Reading Wind Diffractively: Elemental Chiasmus as Theory and Method. Media+Environment, 7(1), https://doi.org/10.1525/001c.127960
Journal Article Type | Article |
---|---|
Acceptance Date | Oct 9, 2024 |
Online Publication Date | Mar 24, 2025 |
Publication Date | Mar 24, 2025 |
Deposit Date | Jun 16, 2025 |
Publicly Available Date | Jun 16, 2025 |
Journal | Media+Environment |
Print ISSN | 2640-9747 |
Electronic ISSN | 2640-9747 |
Publisher | University of California Press |
Peer Reviewed | Peer Reviewed |
Volume | 7 |
Issue | 1 |
DOI | https://doi.org/10.1525/001c.127960 |
Keywords | media theory, elements, phenomenology, new materialism |
Public URL | https://durham-repository.worktribe.com/output/4105616 |
Published Journal Article
(12.1 Mb)
PDF
Publisher Licence URL
http://creativecommons.org/licenses/by/4.0/
Wind Humanities: An Elemental Media Approach
(2024)
Journal Article
Phenomenology
(2024)
Book Chapter
Geography and Phenomenology
(2024)
Book Chapter
Sauerian phenomenology: German Theory and Carl Sauer's The Morphology of Landscape
(2023)
Journal Article
What is lost from climate change? Phenomenology at the “limits to adaptation”
(2023)
Journal Article
About Durham Research Online (DRO)
Administrator e-mail: dro.admin@durham.ac.uk
This application uses the following open-source libraries:
Apache License Version 2.0 (http://www.apache.org/licenses/)
Apache License Version 2.0 (http://www.apache.org/licenses/)
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2025
Advanced Search