Stravinsky's Russian origins

Bartlett, Rosamund

Abstract

Stravinsky’s work spanned the major part of the twentieth century and engaged with nearly all its principal compositional developments. This Companion reflects the breadth of Stravinsky’s achievement and influence in essays by leading international scholars on a wide range of topics. It is divided into three parts dealing with the contexts within which Stravinsky worked (Russian, modernist and compositional), with his key compositions (Russian, neoclassical and serial), and with the reception of his ideas (through performance, analysis and criticism). The volume concludes with an interview with the leading Dutch composer Louis Andriessen and a major re-evaluation of ‘Stravinsky and Us’ by Richard Taruskin.

Citation

Bartlett, R. (2003). Stravinsky's Russian origins. In J. Cross (Ed.), The Cambridge companion to Stravinsky (3-18). Cambridge University Press. https://doi.org/10.1017/ccol9780521663304.002

• Publication Date: Jul 1, 2003
• Deposit Date: Jan 6, 2009
• Publisher: Cambridge University Press
• Pages: 3-18
• Series Title: Cambridge companions to music
• Book Title: The Cambridge companion to Stravinsky.
• ISBN: 052166330X4
• DOI: https://doi.org/10.1017/ccol9780521663304.002
• Keywords: Russian, Modernist, Composer, Neoclassical.
• Public URL: https://durham-repository.worktribe.com/output/1690087
• Additional Information: Series title: Cambridge companions to music.