Professor Jennifer Ingleheart jennifer.ingleheart@durham.ac.uk
Professor
The tenth poem of Propertius Book 4 is the most remarkable in a collection full of surprises for its readers, and appears to mark a significant departure from his previous work. If Propertius had never written his final book of poetry, we might characterize him on the basis of his earlier books as the quintessential Latin love elegist: he rejects not only a military career, but even the less demanding task of celebrating Augustus' victories, in favour of the love elegist's self-indulgent life of leisure: cf. e.g. Prop. 2.1.39–46. In the first poem of Book 4, however, Propertius announces what appears to be a wholly different poetic programme; in place of the erotic elegies of the previous books is a new ‘serious’ purpose: Propertius will sing about national, religious and antiquarian themes, as the ‘Roman Callimachus’ (Propertius 4.1a.63–4). However, as soon as the next poem, Propertius is commanded to return to his usual theme of obsessive elegiac love for one woman, a topic described as haec tua castra (‘this is your sphere of operations’, 4.1b.135). The poems which follow in Propertius 4 tend to strike a balance between antiquarian seriousness and elegiac frivolity. For example, in 4.4, Propertius relates the Vestal Virgin Tarpeia's betrayal of Rome, connecting several contemporary urban landmarks with the poem's heroine, but he remains true to his earlier colours by presenting Tarpeia as an elegiac lover who falls in love at first sight and betrays her city out of passion.
Ingleheart, J. (2007). Propertius 4.10 and the end of the Aeneid: Augustus, the spolia opima and the right to remain silent. Greece and Rome, 54(1), 61-81. https://doi.org/10.1017/s0017383507000046
Journal Article Type | Article |
---|---|
Publication Date | Apr 1, 2007 |
Deposit Date | Sep 26, 2008 |
Publicly Available Date | Aug 24, 2009 |
Journal | Greece and Rome |
Print ISSN | 0017-3835 |
Electronic ISSN | 1477-4550 |
Publisher | Cambridge University Press |
Peer Reviewed | Peer Reviewed |
Volume | 54 |
Issue | 1 |
Pages | 61-81 |
DOI | https://doi.org/10.1017/s0017383507000046 |
Public URL | https://durham-repository.worktribe.com/output/1587863 |
Published Journal Article
(164 Kb)
PDF
Copyright Statement
Copyright © 2007 The Classical Association
Reading sex in Amores 1.4 and 1.5: repetition, coupling, and Ovidian erotics
(2024)
Book Chapter
Amores Plural: Ovidian Homoerotics in the Elegies
(2021)
Book Chapter
Vates Lesbia: images of Sappho in the poetry of Ovid.
(2019)
Book Chapter
About Durham Research Online (DRO)
Administrator e-mail: dro.admin@durham.ac.uk
This application uses the following open-source libraries:
Apache License Version 2.0 (http://www.apache.org/licenses/)
Apache License Version 2.0 (http://www.apache.org/licenses/)
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2025
Advanced Search