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A post-modern mandala? Moving beyond methodological nationalism

Sutherland, Claire

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Authors

Claire Sutherland



Abstract

The work of art entitled Returning Home (Figure 1) is a chest-high, cylindrical trunk made from thousands of chopsticks. Painstakingly built up from the inside out, it is a satisfying whole made of many parts that represents home in a solid and enduring, but ‘rootless’ way. As such, it challenges the notion of rootedness as a prerequisite for belonging, suggesting that ‘home’ can be conceived in ways that do not necessarily erect barriers to belonging for nonnatives, or outsiders. Fittingly, it also represents the culmination of a long personal journey for its creator, Anthony Key, as a migrant to Britain. The piece featured prominently in a recent UK museum exhibition exploring nation-building in Vietnam. Co-curated by the author of this article, the exhibition was both an attempt to distil a decade of research for a non-academic audience, and an opportunity to challenge visitors’ perceptions of nationbuilding more widely. Further, it offered a starting point for reflection on the theoretical contribution of Southeast Asian studies to ongoing debates surrounding ‘methodological nationalism’ (Beck and Sznaider 2010 [2006]), which challenge the widespread use of the nation-state as a taken for granted category of analysis. Hence the playful coining of the term ‘post-modern mandala’ to bring Southeast Asian studies into conversation with these interdisciplinary debates

Citation

Sutherland, C. (2016). A post-modern mandala? Moving beyond methodological nationalism. Humanetten, 37, 88-106

Journal Article Type Article
Online Publication Date Dec 22, 2016
Publication Date Dec 22, 2016
Deposit Date Jul 18, 2017
Publicly Available Date Jul 27, 2017
Journal HumaNetten
Electronic ISSN 1403-2279
Publisher Linnaeus University
Peer Reviewed Peer Reviewed
Volume 37
Pages 88-106
Public URL https://durham-repository.worktribe.com/output/1373478
Publisher URL https://open.lnu.se/index.php/hn/issue/view/45

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