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Rancière and the re-distribution of the sensible: The artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum

Tolia-Kelly, Divya P.

Rancière and the re-distribution of the sensible: The artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum Thumbnail


Authors

Divya P. Tolia-Kelly



Abstract

Through aesthetics we can articulate affective politics and demonstrate new ways of ‘doing’ progressive politics. This article explores the politics and practice of dissensus within the museum with artist Rosanna Raymond. The article argues that the museum space, when critiqued through a postcolonial perspective and artistic practice, can be a vehicle for political change. Using Ranciere’s account of ‘politics’, the article outlines how a ‘redistribution of the sensible’ might be possible, one that that is inclusive of Maori space-time, self-determined cultural values and geoaesthetics.

Citation

Tolia-Kelly, D. P. (2019). Rancière and the re-distribution of the sensible: The artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum. Progress in Human Geography, 43(1), 123-140. https://doi.org/10.1177/0309132517739141

Journal Article Type Article
Online Publication Date Nov 9, 2017
Publication Date Feb 1, 2019
Deposit Date Nov 21, 2017
Publicly Available Date Nov 21, 2017
Journal Progress in Human Geography
Print ISSN 0309-1325
Electronic ISSN 1477-0288
Publisher SAGE Publications
Peer Reviewed Peer Reviewed
Volume 43
Issue 1
Pages 123-140
DOI https://doi.org/10.1177/0309132517739141

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Copyright Statement
Tolia-Kelly, Divya P. (2019). Rancière and the re-distribution of the sensible: The artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum. Progress in Human Geography 43(1): 123-140. Copyright © The Author(s) 2017. Reprinted by permission of SAGE Publications.







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