Dr Ian Dickson ian.m.dickson@durham.ac.uk
Assistant Professor
Towards a Grammatical Analysis of Scelsi's Late Music
Dickson, Ian
Authors
Abstract
Giacinto Scelsi (1905–1988) is a problematic figure for musical analysis on account of his extreme anti‐rationalism and devaluing of the score. By the 1950s he was creating music through improvisation and delegating to assistants the task of transcribing the results. The idiom he evolved was novel not only in its extreme economy of means, usually consisting of subtle inflections of continuous sounds, but also in its apparent rejection of any rational organisation. Analysts of Scelsi's work have tended to concentrate on large‐scale musical architecture, neglecting the apparently redundant, non‐developmental gestures from which, nonetheless, this architecture must be built up. Many of Scelsi's advocates have encouraged this by insisting on the music's irreducibility and exceptional rapport with sound. Such an argument stems from the composer's own mysticism: he attributed the automaticity of his improvisations to the cosmic power of sound, rather than to the long hours that he spent creating them. This article explores the idea that Scelsi's music is conditioned, if not by an explicit grammar (traditional or avant‐garde), then by the ‘model’ of the original improvisations, and that his manipulation of nuance can be considered as a kind of syntax. It argues that a grammatical analysis accounts for the persuasiveness and variety of the improvisations more plausibly than statistical analysis or metaphysical formulations involving sound ‘itself’.
Citation
Dickson, I. (2012). Towards a Grammatical Analysis of Scelsi's Late Music. Music Analysis, 31(2), https://doi.org/10.1111/j.1468-2249.2012.00336.x
Journal Article Type | Article |
---|---|
Online Publication Date | Nov 12, 2012 |
Publication Date | 2012-11 |
Deposit Date | Oct 12, 2018 |
Publicly Available Date | Feb 18, 2021 |
Journal | Music Analysis |
Print ISSN | 0262-5245 |
Electronic ISSN | 1468-2249 |
Publisher | Wiley |
Peer Reviewed | Peer Reviewed |
Volume | 31 |
Issue | 2 |
DOI | https://doi.org/10.1111/j.1468-2249.2012.00336.x |
Public URL | https://durham-repository.worktribe.com/output/1312016 |
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Copyright Statement
This is the pre-peer reviewed version of the following article: Dickson, I. (2012), Towards a Grammatical Analysis of Scelsi's Late Music. Music Analysis, 31: 216-241, which has been published in final form at https://doi.org/10.1111/j.1468-2249.2012.00336.x. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Use of Self-Archived Versions.
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