Dr Megan Girdwood megan.girdwood@durham.ac.uk
Assistant Professor
'Danced through its seven phases': Samuel Beckett, Symbolism, and Stage Choreographies
Girdwood, Megan
Authors
Citation
Girdwood, M. (2019). 'Danced through its seven phases': Samuel Beckett, Symbolism, and Stage Choreographies. Journal of modern literature, 42(4), 74-92. https://doi.org/10.2979/jmodelite.42.4.06
| Journal Article Type | Article |
|---|---|
| Online Publication Date | Oct 1, 2019 |
| Publication Date | 2019 |
| Deposit Date | Sep 3, 2021 |
| Journal | Journal of Modern Literature |
| Print ISSN | 0022-281X |
| Publisher | Temple University |
| Peer Reviewed | Peer Reviewed |
| Volume | 42 |
| Issue | 4 |
| Pages | 74-92 |
| DOI | https://doi.org/10.2979/jmodelite.42.4.06 |
You might also like
Motor Types: Vernon Lee's Kinaesthetics
(2023)
Journal Article
Choreographic Collaborations: Yeats and Ninette de Valois
(2021)
Book Chapter
‘Puppet of skeletal escapade’: Dance Dialogues in Mina Loy and Carl Van Vechten
(2021)
Journal Article
Downloadable Citations
About Durham Research Online (DRO)
Administrator e-mail: dro.admin@durham.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2024
Advanced Search