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Soundscapes of Mostar: Space and art beyond the divided city

Cole, Lydia C.; Kappler, Stefanie

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Authors

Lydia C. Cole



Abstract

The ‘spatial turn’ in peace research has primarily highlighted the visuality of the spaces in which peace takes place. In this article, however, we argue that ‘sound’ can challenge rigid visual markers, which are particularly prominent in divided cities. Drawing on a sound story from a larger archive, we investigate how a sound artist re-imagines the divided city of Mostar by mobilising a set of sonic memories. Our sonic reading of the Partisan’s Cemetery traces the spatial transformation of the city, which disrupts visual representations of space as divided and presents alternative spatial imaginations.

Citation

Cole, L. C., & Kappler, S. (2022). Soundscapes of Mostar: Space and art beyond the divided city. Journal of Intervention and Statebuilding, 16(5), 641-658. https://doi.org/10.1080/17502977.2022.2128592

Journal Article Type Article
Acceptance Date Sep 22, 2022
Online Publication Date Oct 19, 2022
Publication Date 2022
Deposit Date Sep 23, 2022
Publicly Available Date Feb 28, 2023
Journal Journal of Intervention and Statebuilding
Print ISSN 1750-2977
Electronic ISSN 1750-2985
Publisher Taylor and Francis Group
Peer Reviewed Peer Reviewed
Volume 16
Issue 5
Pages 641-658
DOI https://doi.org/10.1080/17502977.2022.2128592
Public URL https://durham-repository.worktribe.com/output/1190870

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Published Journal Article (1.9 Mb)
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Publisher Licence URL
http://creativecommons.org/licenses/by/4.0/

Copyright Statement
© 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group
This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.





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