Daniel K.S. Walden
An ‘Ideal’ Music: Hugo Riemann and 19th-Century Enharmonic Keyboard Design.
Walden, Daniel K.S.
Authors
Citation
Walden, D. K. (2015). An ‘Ideal’ Music: Hugo Riemann and 19th-Century Enharmonic Keyboard Design.
| Presentation Conference Type | Conference Paper (Published) |
|---|---|
| Conference Name | Society for Music Theory |
| Publication Date | 2015 |
| Deposit Date | Oct 20, 2021 |
| Public URL | https://durham-repository.worktribe.com/output/1138992 |
You might also like
Seeds, Husks, or Dried Flowers: Shaping Attentive Practices and Settler Colonial Land Ethics Through the Use of Botanical Metaphors in Ethnographies of Native American Song
(2022)
Presentation / Conference Contribution
Stories of Tonality in the Age of François-Joseph Fétis
(2021)
Journal Article
Pitch Fundamentalism and the Invention of Tonal Space. (Special Session: Anti-Racist Music Theory, organised by Jade Conlee and Tatiana Koike)
(2021)
Presentation / Conference Contribution
Downloadable Citations
About Durham Research Online (DRO)
Administrator e-mail: dro.admin@durham.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2024
Advanced Search