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Outputs (48)

Context, Form and Style in Sterndale Bennett's Piano Concertos (2016)
Journal Article
Dibble, J. (2016). Context, Form and Style in Sterndale Bennett's Piano Concertos. Nineteenth-Century Music Review, 13(2), 195-219. https://doi.org/10.1017/s1479409816000616

A concert pianist in his own right and a prodigious youth, Sterndale Bennett composed his five complete piano concertos at the beginning of his career. Although Mozart is often cited as a major influence on Bennett’s musical style, and Bennett was a... Read More about Context, Form and Style in Sterndale Bennett's Piano Concertos.

Anthropology, Theology, and the Simplicity of Benedict XVI's Chant (2016)
Journal Article
Zon, B. (2016). Anthropology, Theology, and the Simplicity of Benedict XVI's Chant. Logos: A Journal of Catholic Thought and Culture, 19(1), 15-40. https://doi.org/10.1353/log.2016.0004

FOR A LATE-VICTORIAN THEOLOGIAN like John Harrington Edwards music is by its very nature sacred. Writing in God and Music (1903) he claims that “music … speaks of God, from God, for God, and to God.” Other Victorians considered music to be neither sa... Read More about Anthropology, Theology, and the Simplicity of Benedict XVI's Chant.

Hamilton Harty's Ode to a Nightingale: A Confluence of Wagner and Elgar (2016)
Journal Article
Dibble, J. (2016). Hamilton Harty's Ode to a Nightingale: A Confluence of Wagner and Elgar. Journal of the Society for Musicology in Ireland, 11(2015-16), 57-81

Hamilton Harty, a figure readily associated with an assimilation of Irish culture, in 1907 composed a setting of Keats’s Ode to a Nightingale specially for his wife, the soprano Agnes Nicholls. Nicholls had become a pre-eminent Wagnerian soprano in L... Read More about Hamilton Harty's Ode to a Nightingale: A Confluence of Wagner and Elgar.

Towards Machine Musicians Who Have Listened to More Music Than Us: Audio Database-led Algorithmic Criticism for Automatic Composition and Live Concert Systems (2016)
Journal Article
Collins, N. (2016). Towards Machine Musicians Who Have Listened to More Music Than Us: Audio Database-led Algorithmic Criticism for Automatic Composition and Live Concert Systems. Computers in entertainment, 14(3), Article 2. https://doi.org/10.1145/2967510

Databases of audio can form the basis for new algorithmic critic systems, applying techniques from the growing field of music information retrieval to meta-creation in algorithmic composition and interactive music systems. In this article, case studi... Read More about Towards Machine Musicians Who Have Listened to More Music Than Us: Audio Database-led Algorithmic Criticism for Automatic Composition and Live Concert Systems.

Being Moved by Unfamiliar Sad Music Is Associated with High Empathy (2016)
Journal Article
Eerola, T., Vuoskoski, J., & Kautiainen, H. (2016). Being Moved by Unfamiliar Sad Music Is Associated with High Empathy. Frontiers in Psychology, 7, Article 1176. https://doi.org/10.3389/fpsyg.2016.01176

The paradox of enjoying listening to music that evokes sadness is yet to be fully understood. Unlike prior studies that have explored potential explanations related to lyrics, memories, and mood regulation, we investigated the types of emotions induc... Read More about Being Moved by Unfamiliar Sad Music Is Associated with High Empathy.

Epilogue (2016)
Book Chapter
Burt, T., & Evans, H. (2016). Epilogue. In H. Evans, & T. Burt (Eds.), The collegiate way : university education in a collegiate context (161-165). Sense Publishers. https://doi.org/10.1007/978-94-6300-681-1_14

Establishing and maintaining colleges needs no justification to those who have experience of them – but all who work within collegiate systems are familiar with the need to be able to articulate their benefits, and to show how these justify the addit... Read More about Epilogue.