Emancipate the Quartertone: The Call to Revolution in Nineteenth-Century Music Theory
(2017)
Journal Article
Walden, D. K. (2017). Emancipate the Quartertone: The Call to Revolution in Nineteenth-Century Music Theory. History of Humanities, 2(2), 327-344. https://doi.org/10.1086/693317
Outputs (6)
Composing at the Keyboard: Assessing the Theory Behind Schoenberg’s Musical Typewriter (2017)
Journal Article
Walden, D. K. (2017). Composing at the Keyboard: Assessing the Theory Behind Schoenberg’s Musical Typewriter
Daniele Barbaro, Nicola Vicentino, and Vitruvian Music Theory in Sixteenth-Century Italy (2017)
Book Chapter
Walden, D. K. (2017). Daniele Barbaro, Nicola Vicentino, and Vitruvian Music Theory in Sixteenth-Century Italy. In F. Lemerle, V. Zara, P. Caye, & L. Moretti (Eds.), Daniele Barbaro 1514-1570: Vénitien, patricien, humaniste (373-388). Brepols Publishers
Tanaka Shōhei’s Instruments and Geistiger Verkehr (2017)
Presentation / Conference Contribution
Walden, D. K. (2017, December). Tanaka Shōhei’s Instruments and Geistiger Verkehr. Presented at Acoustic Justice: Workshop on Law and Music, Harvard Kennedy School
The Root Cause of Musical Disease’: KB Deval and the Politics of Early 20th-Century Musical Studies in India. (2017)
Presentation / Conference Contribution
Walden, D. K. (2017, December). The Root Cause of Musical Disease’: KB Deval and the Politics of Early 20th-Century Musical Studies in India. Presented at Society for Ethnomusicology, Denver, Coloardo (USA)
A Music ‘Freed from Artificial Temperament': The Science and Politics Behind Tanaka Shōhei's Instruments (2017)
Presentation / Conference Contribution
Walden, D. K. (2017, December). A Music ‘Freed from Artificial Temperament': The Science and Politics Behind Tanaka Shōhei's Instruments. Paper presented at Studio31, Schola Cantorum, Basel