Outputs (2)

The Mask of Bourgeois Masculinity and Franz Schreker’s _Die Gezeichneten_ (2022)
Journal Article
Hsieh, A. (2022). The Mask of Bourgeois Masculinity and Franz Schreker’s _Die Gezeichneten_. Cambridge Opera Journal, 34(3), 338-363. https://doi.org/10.1017/s0954586722000246

This article interrogates how Franz Schreker's Die Gezeichneten and its early reception reflected an uneasiness about the confines of manhood. As an opera with a complex genesis and a difficult reception history, Die Gezeichneten's allure comes from... Read More about The Mask of Bourgeois Masculinity and Franz Schreker’s _Die Gezeichneten_.

Jewish Difference and Recovering ‘Commedia’: Erich W. Korngold’s ‘Die tote Stadt’ in Post-First World War Austria (2022)
Journal Article
Hsieh, A. (2022). Jewish Difference and Recovering ‘Commedia’: Erich W. Korngold’s ‘Die tote Stadt’ in Post-First World War Austria. Music and Letters, 103(4), 685-707. https://doi.org/10.1093/ml/gcac043

Commedia dell’arte re-emerged in the early twentieth century to become a means for Europe’s assimilated Jews to process the conditions of modernity by non-serious means. Yet, existing scholarship on Erich W. Korngold’s Die tote Stadt tends to focus o... Read More about Jewish Difference and Recovering ‘Commedia’: Erich W. Korngold’s ‘Die tote Stadt’ in Post-First World War Austria.