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Professor Peter Garratt's Outputs (7)

Romantic Refractions: Light Effects in Ruskin's Poetry (2016)
Journal Article
Garratt, P. (2016). Romantic Refractions: Light Effects in Ruskin's Poetry. Romanticism, 22(3), 279-288. https://doi.org/10.3366/rom.2016.0289

The poetry of John Ruskin – which amounts to a surprisingly large body of work, mostly written in the 1830s and 1840s – reveals the stirrings of the moral perceptual attitude that would emerge with such distinctive force in Modern Painters, yet one g... Read More about Romantic Refractions: Light Effects in Ruskin's Poetry.

Voices and the Imaginative Ear. (2015)
Journal Article
Garratt, P. (2015). Voices and the Imaginative Ear. The Lancet, 386(10010), 2248-2249. https://doi.org/10.1016/s0140-6736%2815%2901114-9

“Jesters”, says Regan in King Lear, “do oft prove prophets”. Perhaps so. Try this one: “In everyday life, talking about imaginary people as though they were real is known as psychosis; in universities, it is known as literary criticism.” The jester h... Read More about Voices and the Imaginative Ear..

Moving Worlds: Fictionality and Illusion After Coleridge. (2012)
Journal Article
Garratt, P. (2012). Moving Worlds: Fictionality and Illusion After Coleridge. Literature Compass, 9(11), 752-763. https://doi.org/10.1111/j.1741-4113.2012.00908.x

This article examines Victorian philosophical responses to fictional worlds. It revisits Coleridge’s coinage of the ‘willing suspension of disbelief’, a phrase still taken to be an explanation of the mind’s inner experience of fictionality, before fo... Read More about Moving Worlds: Fictionality and Illusion After Coleridge..

Ruskin's Modern Painters and the Visual Language of Reality. (2009)
Journal Article
Garratt, P. (2009). Ruskin's Modern Painters and the Visual Language of Reality. Journal of Victorian Culture, 14(1), 53-71. https://doi.org/10.3366/e1355550209000599

Ruskin, the most influential mid-Victorian aesthetician, has typically been affiliated by critics with one of two incongruous regimes of thought; late English romanticism or an emerging counter-paradigm of factual science. Unwilling to refine this op... Read More about Ruskin's Modern Painters and the Visual Language of Reality..