All Outputs (19)

Charles Villiers Stanford: Man and Musician (2002)
Book
Dibble, J. (2002). Charles Villiers Stanford: Man and Musician. Oxford University Press

Magnficat and Nunc Dimittis in B flat (1877) John Stainer (2002)
Data
Dibble, J. C. (2002). Magnficat and Nunc Dimittis in B flat (1877) John Stainer. [Dataset]

'I was glad' (Coronation Anthem) C. Hubert H. Parry (2002)
Data
Dibble, J. C. (2002). 'I was glad' (Coronation Anthem) C. Hubert H. Parry. [Dataset]

'Lighten our darkness' (anthem) Charles Villiers Stanford (2002)
Data
Dibble, J. C. (2002). 'Lighten our darkness' (anthem) Charles Villiers Stanford. [Dataset]

Magnificat and Nunc Dimittis in C Op. 115 Charles Villiers Stanford (2002)
Data
Dibble, J. C. (2002). Magnificat and Nunc Dimittis in C Op. 115 Charles Villiers Stanford. [Dataset]

'The sociology of music'. (2002)
Book Chapter
Paddison, M. (2002). 'The sociology of music'. In A. Latham (Ed.), The Oxford Companion to Music (1167-1169). (New ed.). Oxford University Press

Madonna alle porte del Terzo Millennio (Madonna at the beginning of the new Millennium) (2002)
Book Chapter
Tarsitani, S. (2002). Madonna alle porte del Terzo Millennio (Madonna at the beginning of the new Millennium). In C. Fiore (Ed.), Madonna. L'Epos

Magnificat and Nuncu Dimittis in B flat Op. 10 Charles Villiers Stanford (2002)
Data
Dibble, J. C. (2002). Magnificat and Nuncu Dimittis in B flat Op. 10 Charles Villiers Stanford. [Dataset]

Pater Noster (motet) Charles Villiers Stanford (2002)
Data
Dibble, J. C. (2002). Pater Noster (motet) Charles Villiers Stanford. [Dataset]

Parry's Guenever: Trauma and Catharsis (2002)
Book Chapter
Dibble, J. (2002). Parry's Guenever: Trauma and Catharsis. In R. Barber (Ed.), King Arthur in Music (35-50). Boydell & Brewer

Fantasy and Hybridization in the British Variation Tradition (2002)
Book Chapter
Dibble, J. (2002). Fantasy and Hybridization in the British Variation Tradition. In J. Dibble, & B. Zon (Eds.), Ninteenth-Century British Music Studies (235-250). Ashgate Press

Nineteenth-Century British Music Studies Vol. 2 (2002)
Book
Dibble, J., & Zon, B. (Eds.). (2002). Nineteenth-Century British Music Studies Vol. 2. Ashgate Publishing

Nineteenth-Century Music Studies 2 (2002)
Book
Dibble, J., & Zon, B. (Eds.). (2002). Nineteenth-Century Music Studies 2. Ashgate Publishing

Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference (2002)
Book
Samson, J., & Zon, B. (Eds.). (2002). Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference. Ashgate Publishing

Postmodernism and Globalization in Ethnomusicology: an Epistemological Problem (2002)
Book
Nercessian, A. (2002). Postmodernism and Globalization in Ethnomusicology: an Epistemological Problem. Scarecrow Press

The following text is taken from the Scarecrow Press website. "Is the music world clinging to an outdated school of thought in ethnomusicology? Nercessian shows how the theory of cultural relativism continues to detrimentally pervade ethnomusicologic... Read More about Postmodernism and Globalization in Ethnomusicology: an Epistemological Problem.

Creation/Evolution: Metaphoric Syntheses in Nineteenth and Early Twentieth-Century Music Historiography in Britain (2002)
Book Chapter
Zon, B. (2002). Creation/Evolution: Metaphoric Syntheses in Nineteenth and Early Twentieth-Century Music Historiography in Britain. In J. Samson, & B. Zon (Eds.), Nineteenth-century music : selected proceedings of the tenth international conference (314-331). Ashgate Publishing

'Imago' (2002)
Other
Wishart, T. (2002). 'Imago'. [CD]

In contrast to other works written by the composer, Imago derives all its material from a single, 0.2 second source (the clink of 2 wine-glasses) with the intention of making the (sonic) evolution of material audibly explicit to the listener. Through... Read More about 'Imago'.

'Music as Ideal: the Aesthetics of Autonomy' (2002)
Book Chapter
Paddison, M. (2002). 'Music as Ideal: the Aesthetics of Autonomy'. In J. Samson (Ed.), The Cambridge history of nineteenth-century music (318-342). Cambridge University Press. https://doi.org/10.2277/0521590175

Teaching Indian music at a distance: a perspective from the UK (2002)
Journal Article
Clayton, M. (2002). Teaching Indian music at a distance: a perspective from the UK. Journal of the Indian Musicological Society, 33, 36-41

This article describes the recent treatment of Indian classical in the curriculum of the (British) Open University in recent years which has formed part of our curriculum. This includes a major video-based project aimed at introducing the basics of k... Read More about Teaching Indian music at a distance: a perspective from the UK.