All Outputs (19)

Bedazzled by breakthrough: Music theology and the problem of composing music in words (2011)
Journal Article
Zon, B. (2011). Bedazzled by breakthrough: Music theology and the problem of composing music in words. Journal of the Royal Musical Association, 136(2), 429-435

Melodic analysis of the performance of Islamic hymns in Harar, Ethiopia (2011)
Journal Article
Tarsitani, S. (2011). Melodic analysis of the performance of Islamic hymns in Harar, Ethiopia

La postmodernidad y la supervivencia de la vanguardia (2011)
Journal Article
Paddison, M. (2011). La postmodernidad y la supervivencia de la vanguardia. Quodlibet (Alcalá de Henares, Madrid), 50((May-August)), 60-84

Biased emotional preferences in depression: Decreased liking of angry and energetic music by depressed patients (2011)
Journal Article
Punkanen, M., Eerola, T., & Erkkilä, J. (2011). Biased emotional preferences in depression: Decreased liking of angry and energetic music by depressed patients. Music and medicine, 3(2), 114-120. https://doi.org/10.1177/1943862110395597

Biased emotional recognition in depression: Perception of emotions in music by depressed patients (2011)
Journal Article
Punkanen, M., Eerola, T., & Erkkilä, J. (2011). Biased emotional recognition in depression: Perception of emotions in music by depressed patients. Journal of Affective Disorders, 130, 118-126. https://doi.org/10.1016/j.jad.2010.10.034

The role of mood and personality in the perception of emotions represented by music (2011)
Journal Article
Vuoskoski, J., & Eerola, T. (2011). The role of mood and personality in the perception of emotions represented by music. Cortex, 47(9), 1099-1106. https://doi.org/10.1016/j.cortex.2011.04.011

Measuring music-induced emotion: A comparison of emotion models, personality biases, and intensity of experiences (2011)
Journal Article
Vuoskoski, J., & Eerola, T. (2011). Measuring music-induced emotion: A comparison of emotion models, personality biases, and intensity of experiences. Musicae Scientiae, 15(2), 159-173. https://doi.org/10.1177/1029864911403367

Are the Emotions Expressed in Music Genre-specific? An Audio-based Evaluation of Datasets Spanning Classical, Film, Pop and Mixed Genres (2011)
Journal Article
Eerola, T. (2011). Are the Emotions Expressed in Music Genre-specific? An Audio-based Evaluation of Datasets Spanning Classical, Film, Pop and Mixed Genres. Journal of New Music Research, 40(4), 349-366. https://doi.org/10.1080/09298215.2011.602195

Design and evaluation of prosody-based non-speech audio feedback for physical training application (2011)
Journal Article
Tuuri, K., Eerola, T., & Pirhonen, A. (2011). Design and evaluation of prosody-based non-speech audio feedback for physical training application. International Journal of Human-Computer Studies, 69, 741-757. https://doi.org/10.1016/j.ijhcs.2011.06.004

Generalizability and Simplicity as Criteria in Feature Selection: Application to Mood Classification in Music (2011)
Journal Article
Saari, P., Eerola, T., & Lartillot, O. (2011). Generalizability and Simplicity as Criteria in Feature Selection: Application to Mood Classification in Music. IEEE Transactions on Audio, Speech and Language Processing, 19(6), 1802-1812. https://doi.org/10.1109/tasl.2010.2101596

Music and emotion: Themes and development (2011)
Journal Article
Lamont, A., & Eerola, T. (2011). Music and emotion: Themes and development. Musicae Scientiae, 15(2), 1-7. https://doi.org/10.1177/1029864911403366

The Interaction of Music and Text in Liszt`s Lied O Lieb: An Analytical Study based on the Conceptual Blending Theory and Schenkerian Theory (2011)
Journal Article
Kim, S. (2011). The Interaction of Music and Text in Liszt`s Lied O Lieb: An Analytical Study based on the Conceptual Blending Theory and Schenkerian Theory

Semantic Structures of Timbre Emerging From Social and Acoustic Descriptions of Music (2011)
Journal Article
Ferrer, R., & Eerola, T. (2011). Semantic Structures of Timbre Emerging From Social and Acoustic Descriptions of Music. EURASIP Journal on Audio, Speech, and Music Processing, 2011, Article 11. https://doi.org/10.1186/1687-4722-2011-11

The perceptual attributes of timbre have inspired a considerable amount of multidisciplinary research, but because of the complexity of the phenomena, the approach has traditionally been confined to laboratory conditions, much to the detriment of its... Read More about Semantic Structures of Timbre Emerging From Social and Acoustic Descriptions of Music.

The Tale of the Three Young Brothers: an Analytical Study of Music and Communal Joy (hŭng) in Korean Folk Culture (2011)
Journal Article
Mills, S. R. (2011). The Tale of the Three Young Brothers: an Analytical Study of Music and Communal Joy (hŭng) in Korean Folk Culture. Music Analysis, 29(1-3), 276-305. https://doi.org/10.1111/j.1468-2249.2011.00332.x

When discussing the essential characteristics of traditional Korean folk music, Korean musicians and scholars often refer to the emotional states of han and hŭng– forms of suffering and communally experienced joy, respectively. This article focusses... Read More about The Tale of the Three Young Brothers: an Analytical Study of Music and Communal Joy (hŭng) in Korean Folk Culture.

Live Coding of Consequence (2011)
Journal Article
Collins, N. (2011). Live Coding of Consequence. Leonardo, 44(3), 207-211. https://doi.org/10.1162/leon_a_00164

Inter-group Entrainment in Afro-Brazilian Congado Ritual (2011)
Journal Article
Lucas, G., Clayton, M., & Leante, L. (2011). Inter-group Entrainment in Afro-Brazilian Congado Ritual. Empirical Musicology Review, 6(2), 75-102

This paper investigates the phenomenon of entrainment between independent groups of musicians in the context of Afro-Brazilian Congado performance. Based on audiovisual recordings made during a festival in May 2006, we present analyses of four differ... Read More about Inter-group Entrainment in Afro-Brazilian Congado Ritual.

John Field and the Alternative History of Concerto First-Movement Form (2011)
Journal Article
Horton, J. (2011). John Field and the Alternative History of Concerto First-Movement Form. Music and Letters, 92(1), 43-83. https://doi.org/10.1093/ml/gcq104

A Comparison of the Discrete and Dimensional Models of Emotion in Music (2011)
Journal Article
Eerola, T., & Vuoskoski, J. K. (2011). A Comparison of the Discrete and Dimensional Models of Emotion in Music. Psychology of Music, 39(1), 18-49. https://doi.org/10.1177/0305735610362821

'Beauty Springeth Out of Naught': Interpreting the Church Music of Herbert Howells (2011)
Journal Article
Clinch, J. (2011). 'Beauty Springeth Out of Naught': Interpreting the Church Music of Herbert Howells. British postgraduate musicology, 11,