Theoretical Hybridisation: Enhancing the Dialogue/Relationship between Analysis and Performance
(2019)
Presentation / Conference Contribution
Teo, Y. (2019). Theoretical Hybridisation: Enhancing the Dialogue/Relationship between Analysis and Performance.
All Outputs (8)
Hybridization of Theoretical Models - Stravinsky, Ravel and Hindemith (2018)
Presentation / Conference Contribution
Teo, Y. (2018). Hybridization of Theoretical Models - Stravinsky, Ravel and Hindemith.
Towards a Hybrid Analytical Method: A Synthesis of Schenkerian, Neo- Riemannian and Set-Theoretical Approaches for the Analysis of Neo-Classical Music (2018)
Presentation / Conference Contribution
Teo, Y. (2018). Towards a Hybrid Analytical Method: A Synthesis of Schenkerian, Neo- Riemannian and Set-Theoretical Approaches for the Analysis of Neo-Classical Music.
Towards a Model of Theoretical Hybridisation - Ravel's Sonatine (2018)
Presentation / Conference Contribution
Teo, Y. (2018). Towards a Model of Theoretical Hybridisation - Ravel's Sonatine.
Theoretical Hybridization: Enhancing the Dialogue/Relationship between Analysis and Performance (2018)
Presentation / Conference Contribution
Performance.
Towards a Model of Theoretical Hybridisation - Hindemith's Second Piano Sonata (2018)
Presentation / Conference Contribution
Teo, Y. (2018). Towards a Model of Theoretical Hybridisation - Hindemith's Second Piano Sonata.
A Synthesis of Schenkerian and Neo-Riemannian Theories: The First Movement of Paul Hindemith’s Piano Sonata No. 1 as a Case Study (2017)
Presentation / Conference Contribution
Teo, Y. (2017). A Synthesis of Schenkerian and Neo-Riemannian Theories: The First Movement of Paul Hindemith’s Piano Sonata No. 1 as a Case Study.
Hybridising the Schenkerian Method: A Selected Section of the First Movement of Paul Hindemith’s Piano Sonata No. 1 as a Case Study
Journal Article
Teo, Y. (online). Hybridising the Schenkerian Method: A Selected Section of the First Movement of Paul Hindemith’s Piano Sonata No. 1 as a Case Study