All Outputs (18)

Art and the Ideology of Nature: Sibelius, Hamsun, Adorno (2011)
Book Chapter
Paddison, M. (2011). Art and the Ideology of Nature: Sibelius, Hamsun, Adorno. In D. M. Grimley (Ed.), Jean Sibelius and his World (173-185). Princeton: Princeton University Press

Adorno and Exile: Some Thoughts on Displacement and What it Means to be German (2010)
Book Chapter
Paddison, M. (2010). Adorno and Exile: Some Thoughts on Displacement and What it Means to be German. In E. Levi, & F. Scheding (Eds.), Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond (135-153). Scarecrow Press

Reading History in the Ruins of Nature: Images of Truth, Mortality and Reconciliation in Adorno's Schubert Interpretation (2009)
Book Chapter
Paddison, M. (2009). Reading History in the Ruins of Nature: Images of Truth, Mortality and Reconciliation in Adorno's Schubert Interpretation. In M. V. de Carvalho, R. Duarte, M. Paddison, O. Kolleritsch, S. Dierks, P. Boleo, …H. Robert (Eds.), Expression, truth and authenticity : on Adorno's theory of music and musical performance (41-58). Calibri

Centres and Margins: Shifting Grounds in the Conceptualization of Modernism (2008)
Book Chapter
Paddison, M. (2008). Centres and Margins: Shifting Grounds in the Conceptualization of Modernism. In D. Despic, & M. Milin (Eds.), Rethinking Musical Modernism (65-81). Serbian Academy of Sciences and Arts (SANU)

'Performance, Analysis, and the Silent Work: The Problem of Critical Self-Reflexion in Adorno's Theory of Musical Reproduction'. (2007)
Book Chapter
Paddison, M. (2007). 'Performance, Analysis, and the Silent Work: The Problem of Critical Self-Reflexion in Adorno's Theory of Musical Reproduction'. In A. Nowak, & M. Fahlbusch (Eds.), Musikalische Analyse und Kritische Theorie: Zu Adornos Philosophie der Musik (221-245). Verlag Schneider

‘Die vermittelte Unmittelbarkeit der Musik: Zum Vermittlungsbegriff in der Adornoschen Musikästhetik’. (2007)
Book Chapter
Paddison, M. (2007). ‘Die vermittelte Unmittelbarkeit der Musik: Zum Vermittlungsbegriff in der Adornoschen Musikästhetik’. In A. Becker, & M. Vogel (Eds.), Musikalischer Sinn: Beiträge zu einer Philosophie der Musik (175-236). Suhrkamp

‘Nature and the Sublime: The Politics of Order and Disorder in Twentieth-Century Music’. (2004)
Book Chapter
Paddison, M. (2004). ‘Nature and the Sublime: The Politics of Order and Disorder in Twentieth-Century Music’. In Order and Disorder: Music-Theoretical Strategies in Twentieth-Century Music (107-136). Leuven University Press

Nature and the Sublime: the Politics of Order and Disorder in Twentieth-Century Music. (2004)
Book Chapter
Paddison, M. (2004). Nature and the Sublime: the Politics of Order and Disorder in Twentieth-Century Music. In J. Dunsby, J. N. Straus, Y. Knockaert, M. Paddison, & K. Boehmer (Eds.), Order and Disorder: Music-Theoretical Strategies in Twentieth-Century Music (107 - 136). Leuven University Press

'Authenticity and Failure in Adorno's Aesthetics of Music' (2004)
Book Chapter
Paddison, M. (2004). 'Authenticity and Failure in Adorno's Aesthetics of Music'. In T. Huhn (Ed.), The Cambridge companion to Adorno (198-221). Cambridge University Press. https://doi.org/10.2277/0521772893

'Stravinsky as devil: Adorno's three critiques' (2003)
Book Chapter
Paddison, M. (2003). 'Stravinsky as devil: Adorno's three critiques'. In J. Cross (Ed.), The Cambridge companion to Stravinsky (192-202). Cambridge University Press

'The sociology of music'. (2002)
Book Chapter
Paddison, M. (2002). 'The sociology of music'. In A. Latham (Ed.), The Oxford Companion to Music (1167-1169). (New ed.). Oxford University Press

'Music as Ideal: the Aesthetics of Autonomy' (2002)
Book Chapter
Paddison, M. (2002). 'Music as Ideal: the Aesthetics of Autonomy'. In J. Samson (Ed.), The Cambridge history of nineteenth-century music (318-342). Cambridge University Press. https://doi.org/10.2277/0521590175

'Postmodernisme et la survie de l'avant-garde'. (2001)
Book Chapter
Paddison, M. (2001). 'Postmodernisme et la survie de l'avant-garde'. In I. Deliege, & M. Paddison (Eds.), Musique contemporaine: perspectives theoriques et philosophiques (249-266). Mardaga

'Perspectives critiques sur la musique et les relations sociales: vers une theorie de la mediation'. (2001)
Book Chapter
Paddison, M. (2001). 'Perspectives critiques sur la musique et les relations sociales: vers une theorie de la mediation'. In I. Deliege, & M. Paddison (Eds.), Musique contemporaine: perspectives theoriques et philosophiques (293-301). Mardaga

'Immanent Critique or Musical Stocktaking? Adorno and the Problem of Musical Analysis' (2001)
Book Chapter
Paddison, M. (2001). 'Immanent Critique or Musical Stocktaking? Adorno and the Problem of Musical Analysis'. In N. Gibson, & A. Rubin (Eds.), Adorno : a critical reader (209-233). Blackwell

'T.W. Adorno', 'Frank Zappa', 'Lou Reed', 'The Velvet Underground', 'Expression after 1800'. (2000)
Book Chapter
Paddison, M. (2000). 'T.W. Adorno', 'Frank Zappa', 'Lou Reed', 'The Velvet Underground', 'Expression after 1800'. In S. Sadie, & J. Tyrrell (Eds.), The New Grove Dictionary of Music and Musicians. (New ed., online.). Macmillan

'The language-character of music: some motifs in Adorno' rev.ed. (1998)
Book Chapter
Paddison, M. (1998). 'The language-character of music: some motifs in Adorno' rev.ed. In R. Klein, & C. Mahnkopf (Eds.), Mit den Ohren denken: Adornos Philosophie der Musik (71-91). Suhrkamp

'Adorno'. (1992)
Book Chapter
Paddison, M. (1992). 'Adorno'. In S. Sadie (Ed.), The New Grove Dictionary of Opera. Macmillan